36x40 3D Pro Tahoe Canvas 2-1/2" #DT-3640

True 10:9 Near Square Proportion - 36x40 Size

This large 36x40 near square size is based in the 10:9 aspect ratio.

Consider one other size in the same 10:9 proportion:

54x60

Explore Related Products to this 36x40 Size:

• Acrylic Primed Cotton: Monterey™ • Carmel™ • Heavy Weight 14oz cotton • Sierra™ • Shasta™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Grenoble™ • Pau™
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™ • Isola™ • Poitiers™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 3.5

Tahoe™ 10oz Acrylic Primed Cotton

Strikes the perfect balance between medium & heavy weight cottons; substantially heavier than most widely available canvas, but it is supple and forgiving to the brush.

• 100% Cotton 10 oz.; Primed Weight 14.6 oz. per square yard
• Heavy Weight, Medium Weave, Medium Texture
• Sized and Triple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

3D™ Pro 2.5 Stretcher Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 2.5" deep stretched canvas (Actual depth is slightly thinner)
• 1.25" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

36x40 2.5" Deep Edge Heavy Frame Offers Maximum Support!

• Drawing depicts the exact frame construction, not the proportion
• 2.5" Deep Edge K2 Heavy Stretcher Bars are precision machined with a unique double tongue-and-groove corner joint that provides rock-solid torsional rigidity that resists warping or twisting, which is an important benefit for such a deep edge canvas
• One super strong 3/4" thick keyable brace and one cross brace (all 3.25" wide) provide the maximum possible support for this 36x40 frame; Cross Braces are permanently installed in the frame, but canvas tension may be increased by tapping-in the keys or wedges that slightly expand the size of the frame
• The Stretcher Bars have an proprietary utility groove on the inside perimeter of the frame which is used to attach braces and other optional frame supports
• The Masterpiece braces feature an exclusive system that allows you to increase the tension to the middle of the frame, where the tension is needed the most; it's so unique it earned us a patent
• Our state-of-the-art cross braces attach the ends of the cross braces into the (grooved) sides of the braces, which creates a superior and robust system of interlocking cross braces
• To increase canvas tension: 1) remove any staples in the corners and those that retain the brace keys in the middle, 2) tap all of the expansion keys further into their respective slots, 3) tighten and re-staple the canvas in the corners

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our 3D™ Pro 2.5 professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

What is Sustainable Forestry?

To a forester, the term "sustainable" could mean exercising industry adopted forestry practices to maintain a forest indefinitely. To a logger, the process of proper care for the trees remaining after a harvest. To a landowner, their interest may lie in keeping their forest in the family. And to those of involved in the process of making and using wood-based art supplies, it can mean promoting and supporting an industry dedicated to the preservation of our precious natural resource. We can all do our part to care for our national forests.

Specially Dried and Heat Treated Lumber

We source our wood from a select group of top-tier environmentally conscious lumber mills in the Pacific Northwest. These mills specially dry and heat-treat the lumber to our specifications, resulting in about half the moisture content compared to wood from typical home improvement centers or lumber yards. This process makes the wood stronger, reducing the likelihood of cracking, splitting, or warping. While the wood we use comes at a higher cost, it ensures a more dimensionally stable end product. This stability is crucial for crafting fine professional canvases that support your invaluable art over time.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

The canvas you choose is the foundation for your painting, but also serves as symbol of the quality that you as an artist stand for, and reflect on your own brand. Masterpiece® serves as your silent partner to create your next masterpiece. You "wow" them from the front, while we "wow" them from behind.

Art happens—no hovel is safe from it, no prince can depend on it, the vastest intelligence cannot bring it about. ♦ James Whistler

A painter renowned for his unique style and witty remarks, James Whistler captures the unpredictable and democratic nature of art. Born in the mid-19th century, his career was characterized by the independence of art from societal structures and conventions. He often found himself at odds with the art establishment, pushing boundaries and constantly redefining art.

The idea is that art is not limited by physical spaces, social status, or intellectual capacity. Whether emerging in a humble abode or a grand palace, art's presence is felt. It does not discriminate based on wealth or status. A prince cannot command it into existence any more than a pauper can prevent it from manifesting. The brilliance of this notion lies in its universality; art belongs to everyone and can arise anywhere.

Artists understand that while education, resources, and mentorship can nurture and hone our skills, the spark of true artistic innovation comes from an indefinable place within. It is a spontaneous combustion of passion, perspective, and inspiration. The unpredictable nature of this creative process keeps us in perpetual motion, always seeking, always exploring. Art indeed happens, and in its occurrence, it bridges gaps, challenges norms, and unites us in the shared experience of the sublime.

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We've handpicked this empowering quote and offer insightful context to inspire your art. We've even created this unique portrait of James Whistler to provide a personal touch to your browsing experience. Now start on your painting!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.