11x11 Elite Grenoble A/P Heavy Linen 1-1/2" Deep #EG-1111

True 1:1 Square Proportion - 11x11 Size

This 11x11 size an intriguing and atypical small size odd square.

The square is perhaps the most intriguing proportion, as it is root of all of the other proportions. It is commonly used in both photography and art. Squares are typically used as the center canvas of a triptych or as a single canvas hung at a 45° angle. The square proportion is long used with medium format professional cameras, and most photographs we see on websites and social media are based on square images. Since all sides of the canvas are the same length, your eye is drawn evenly across the surface of the painting creating a sense of harmony, balance, and a generally a pleasing visual experience. The square format is also a good choice for artists who focus on geometric shapes or patterns in their work, as the regularity of the square shape can help reinforce these elements. Some artists enjoy the challenge of working within the confines of a square format, as it forces them to think creatively resulting in intriguing compositions.

Explore other sizes in this same 1:1 aspect ratio:

12x12 • 13x13 • 14x14 • 15x15 • 16x16 • 17x17 • 18x18 • 19x19 • 20x20 • 21x21 • 22x22 • 23x23 • 24x24 • 25x25 • 26x26 • 27x27 • 28x28 • 29x29 • 30x30 • 31x31 • 32x32 • 33x33 • 34x34 • 35x35 • 36x36 • 37x37 • 38x38 • 39x39 • 40x40 • 41x41 • 42x42 • 43x43 • 44x44 • 45x45 • 46x46 • 47x47 • 48x48 • 49x49 • 50x50 • 51x51 • 52x52 • 53x53 • 54x54 • 55x55 • 56x56 • 57x57 • 58x58 • 59x59 • 60x60 • 61x61 • 62x62 • 63x63 • 64x64 • 65x65 • 66x66 • 67x67 • 68x68 • 69x69 • 70x70 • 71x71 • 72x72 • 73x73 • 74x74 • 75x75 • 76x76 • 77x77 • 78x78

Explore Related Products to this 11x11 Size:

• Acrylic Primed Linen Elite™: Pau™
• Oil Primed Linen Elite™: Isola™ • Poitiers™
• Acrylic Primed Cotton Elite™: Shasta™

Grenoble™ Acrylic Primed Artfix Linen

Our heaviest weight acrylic primed linen canvas. Great for large and small works with a very heavy body, yet has a pleasing medium surface tooth. It has a bright white tone.

• 100% Belgian Linen 8.6 oz; Primed Weight 14.5 oz per square yard
• Heavy Weight, Dense Weave, Medium Texture
• Double Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

11x11 Elite Super Heavy Frame Offers the Ultimate Canvas Support!

• Drawing depicts the exact frame construction, not the proportion
• Precision Machined keyable Super Strong Stretcher Bars (1.5" deep by 2-1/4" wide) allow you to increase the canvas tension
• Super Strong Keyable Brace Included (3/4" x 3.25")
• The Bars have a clever utility groove on the inside perimeter of the frame to attach the cross braces
• Unique Keyable Braces allow you to tension the canvas in the middle, where it's needed the most
• Both corner keys and brace keys are pre-installed

Elite™ Professional 1.5" Deep B2 Bar • 1/2" Canvas Clearance

A Canvas Clearance of 1/2" is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When we stretch a canvas on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainably Managed Forests Coexist with Mankind

We use lumber grown in the sustainable forests of the Pacific Northwest, where thereÕs more standing timber today than last century! There will always be a demand for wood pulp and fiber, but striking a harmonious balance with human coexistence is the essential strategy to which we subscribe. Sustainably managed forests increase our health and abundance of our forests which can be in harmony with this precious natural resource.

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Elite™ professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.

Guided by our mission to provide unparalleled quality, Masterpiece® stands as the nation's prime influencer in the domain of professional fine-art canvases. Dive into our diverse collection of surfaces and roll sizes tailored for every artist's unique requirements.

Chromatics is the science of light. ♦ Robert Delaunay

Delaunay, a pivotal figure in the Orphism movement, was never just an observer of art; he was a thinker, an analyst, always seeking to understand the deeper connections between art and the world around him. His fascination with color and light was not just about their aesthetic appeal but the intrinsic relationships they shared. By suggesting that chromaticsÑthe study of colorÑis essentially the science of light, Delaunay was emphasizing the profound interconnectedness of these elements.

Every artist understands the power and significance of light in their work. Light can alter perception, mood, and even the story we're trying to tell. It is through the dance of light on our canvas that colors come alive, gain depth, and create emotion. When we, as artists, immerse ourselves in the study of colors, we're also subconsciously delving into the realm of light. Delaunay's insight serves as a reminder that in our pursuit to master color, we are also unraveling the mysteries of light and its transformative influence on our creations.

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We hope you will be inspired by the wisdom, and our interpretation thereof, of Robert Delaunay, plus we made this unique little portrait to begin the creative process. Time to start your creative process!