20x60 Elite Grenoble A/P Heavy Linen 1-1/2" Deep #EG-2060

True 3:1 Panorama Proportion - 20x60 Size

This unique 20x60 is actually a fairly common 3:1 proportion used in art and cinema.

The 3:1 Panorama a proportion is preferred by many artists who require a super wide compositional format. Of course, this proportion is popularized by photographers and cinematographers, for ultra landscape and wide angled imagery that creates a sense of scope and grandeur in a scene, like cityscapes, ocean and mountain scenes, and scenes with expansive horizons. It is described as a polyomino proportion on the order of 3 or triple-square proportion. There are several common Panorama sizes in this 3:1 aspect ratio that you will recognize, and some are intriguing custom sizes, as well.

Explore other sizes in this same 3:1 aspect ratio:

11x33 • 12x36 • 13x39 • 14x42 • 15x45 • 16x48 • 17x51 • 18x54 • 19x57 • 21x63 • 22x66 • 23x69 • 24x72 • 25x75 • 26x78 • 27x81 • 28x84 • 29x87 • 30x90 • 31x93 • 32x96 • 33x99 • 34x102 • 35x105 • 36x108 • 37x111 • 38x114 • 39x117 • 40x120

Explore Related Products to this 20x60 Size:

• Acrylic Primed Linen Elite™: Pau™
• Acrylic Primed Linen Monet Pro™: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™
• Oil Primed Linen Elite™: Isola™ • Poitiers™
• Oil Primed Linen Monet Pro™: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Acrylic Primed Cotton Elite™: Shasta™
• 3D™ Pro 2.5

Grenoble™ Acrylic Primed Artfix Linen

Our heaviest weight acrylic primed linen canvas. Great for large and small works with a very heavy body, yet has a pleasing medium surface tooth. It has a bright white tone.

• 100% Belgian Linen 8.6 oz; Primed Weight 14.5 oz per square yard
• Heavy Weight, Dense Weave, Medium Texture
• Double Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

20x60 Frame Kit B2 Super Heavy Frame Offers the Ultimate Canvas Support!

• Drawing depicts the exact frame construction, not the proportion
• Precision Machined keyable Super Strong Stretcher Bars (1.5" deep by 2-1/4" wide) allow you to increase the canvas tension
• Two Super Strong Keyable Braces and a Cross Brace Included (3/4" x 3.25")
• The Bars have a clever utility groove on the inside perimeter of the frame to attach the cross braces
• Unique Keyable Cross Braces allow you to tension the canvas in the middle, where it's needed the most
• Cross braces are glued and stapled at the 'cross' for maximum support and rigidity
• Both corner keys and brace keys are pre-installed

Elite™ Professional 1.5" Deep B2 Bar • 1/2" Canvas Clearance

A Canvas Clearance of 1/2" is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When we stretch a canvas on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainably Managed Forests

We use lumber grown in the sustainable forests of the Oregon, Washington, and California, where thereÕs more standing timber today than last century! Our forests purify the air, provide oxygen, and reduce global warming. More trees are needed on this planet, not fewer. Therefore, we use lumber grown in responsibly managed forests, so future generations can benefit from our collective responsible actions today.

Specially Dried and Heat Treated Lumber

We source our wood from a select group of top-tier environmentally conscious lumber mills in the Pacific Northwest. These mills specially dry and heat-treat the lumber to our specifications, resulting in about half the moisture content compared to wood from typical home improvement centers or lumber yards. This process makes the wood stronger, reducing the likelihood of cracking, splitting, or warping. While the wood we use comes at a higher cost, it ensures a more dimensionally stable end product. This stability is crucial for crafting fine professional canvases that support your invaluable art over time.

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Elite™ professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.

Every artist's journey to greatness starts with a blank canvas. Since 1965, Masterpiece® has been the trusted companion in that journey, offering the finest canvases in North America. Your creativity, combined with our canvas, has the potential to turn into a priceless treasure. The choices you make today pave the way for tomorrow's legacy.

White is poison to a picture: use it only in highlights. ♦ Peter Paul Rubens

Peter Paul Rubens, distinguished for his Baroque style that emphasized movement, sensuality, and color, was a master at understanding the intricacies of light and shadow in his compositions. Rubens' canvases are a vibrant dance of hues, where each color, no matter how subtle, plays a pivotal role in conveying depth, emotion, and narrative.

His cautionary advice on the use of white serves as a testament to the meticulous care he took in crafting his visual masterpieces. White, being an extreme on the color spectrum, can overwhelm and flatten an image if not wielded judiciously. For artists, Rubens' words remind us of the nuanced interplay of light and shade, urging us to exercise restraint and precision in our palette choices. As we bring our visions to life, it's the subtle gradations and contrasts that lend depth, dynamism, and dimension to our creations.

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We hope to inspire your art with this wonderful quote and our interpretation along with our own one-of-a-kind portrait of Peter Paul Rubens..got to love it!