34x68 Elite Poitiers O/P Portrait Linen 1-1/2" Deep #EQ-3468

True 2:1 Domino Proportion - 34x68 Size

An intriguing Domino size!

The 2:1 aspect ratio, that we call the domino proportion, also offers a unique canvas for artists to play with the perception of space and depth within their compositions. The elongated format allows for the inclusion of foreground, middle ground, and background elements, creating a sense of distance and scale that draws the viewer's eye into the artwork. This aspect ratio has been used by artists throughout history, from ancient Egyptian tomb paintings to Renaissance frescoes to contemporary photography. Its versatility and timelessness make it a classic choice for artists seeking to create dynamic and engaging compositions.

Explore other sizes in this same 2:1 aspect ratio:

11x22 • 12x24 • 13x26 • 14x28 • 15x30 • 16x32 • 17x34 • 18x36 • 19x38 • 20x40 • 21x42 • 22x44 • 23x46 • 24x48 • 25x50 • 26x52 • 27x54 • 28x56 • 29x58 • 30x60 • 31x62 • 32x64 • 33x66 • 35x70 • 36x72 • 37x74 • 38x76 • 39x78 • 40x80 • 41x82 • 42x84 • 43x86 • 44x88 • 45x90 • 46x92 • 47x94 • 48x96 • 49x98 • 50x100 • 51x102 • 52x104 • 53x106 • 54x108 • 55x110 • 56x112 • 57x114 • 58x116 • 59x118 • 60x120

Explore Related Products to this 34x68 Size:

• Oil Primed Linen Elite™: Isola™
• Oil Primed Linen Monet Pro™: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Acrylic Primed Linen Elite™: Grenoble™ • Pau™
• Acrylic Primed Linen Monet Pro™: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™
• 3D™ Pro 2.5

Poitiers™ Portriat Smooth Oil Primed Artfix Linen

Our smoothest oil primed linen canvas. It is a heavy weight linen with a captivating warm golden hue tone.

• 100% Belgian Linen 6.2 oz; Primed Weight 14.1 oz per square yard
• Meidum Weight, Fine Weave, Portrait Smooth Texture
• Double Sized and Quadruple Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Poitiers™ Portrait Smooth Belgian Linen offers a luxurious surface, ideal for highly detailed work. Preferred by portrait artists because it is so smooth for linen. Due to the nature of how flax plants are turned into linen textiles, there may be variations in yarn thickness thereby creating fabric that is individual in nature and has character. There can be infrequent naturally occurring nubs in the linen which may yield small slight bumps where the linen is a little thicker than the rest of the strand. This is normal and part of what gives linen its character.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

34x68 Frame Kit B2 Super Heavy Frame Offers the Ultimate Canvas Support!

• Drawing depicts the exact frame construction, not the proportion
• Precision Machined keyable Super Strong Stretcher Bars (1.5" deep by 2-1/4" wide) allow you to increase the canvas tension
• Two Super Strong Keyable Braces and a Cross Brace Included (3/4" x 3.25")
• The Bars have a clever utility groove on the inside perimeter of the frame to attach the cross braces
• Unique Keyable Cross Braces allow you to tension the canvas in the middle, where it's needed the most
• Cross braces are glued and stapled at the 'cross' for maximum support and rigidity
• Both corner keys and brace keys are pre-installed

Elite™ Professional 1.5" Deep B2 Bar • 1/2" Canvas Clearance

A Canvas Clearance of 1/2" is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When we stretch a canvas on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Selective Harvesting in our Sustainable Forests

Intelligent selective harvesting of timber is an ecological method to replace the natural occurrences of forest fires and disease and landslides that can devastate forests. This is all part of the process of sustainable forest management to which we subscribe when we choose which lumber we use in our products.

Specially Dried and Heat Treated Lumber

We source our wood from a select group of top-tier environmentally conscious lumber mills in the Pacific Northwest. These mills specially dry and heat-treat the lumber to our specifications, resulting in about half the moisture content compared to wood from typical home improvement centers or lumber yards. This process makes the wood stronger, reducing the likelihood of cracking, splitting, or warping. While the wood we use comes at a higher cost, it ensures a more dimensionally stable end product. This stability is crucial for crafting fine professional canvases that support your invaluable art over time.

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Elite™ professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Our mission at Masterpiece® is to deliver the premium quality products that add value to your art. We are widely recognized as the nation's leader and trendsetter of professional quality fine-art canvas. Not only do we have the widest selection of products, but we feature intriguing aspect ratios and sizes with a purpose to add new dimensions to your art.

Art is a kind of illness. ♦ Edvard Munch

Edvard Munch, best known for his iconic masterpiece The Scream, gifted the world with expressions of raw emotion, pain, and existential angst. His art wasn't just about painting a beautiful landscape or a serene scene; it was a visceral outpouring of his inner turmoil, fears, and joys. Munch's tumultuous life, marred by the early deaths of his parents and sibling illnesses, might have left an indelible imprint on his psyche. Perhaps this led him to see art as a sort of malaise, an inescapable condition that both tormented and elevated him.

For many artists, there's an undeniable compulsion to create, an itch that must be scratched, a need that's almost as fundamental as breathing. As artists, we often find that our craft isn't just something we do; it's intertwined with our very identity. It's both our salvation and, at times, our curse. We wrestle with it, we embrace it, and we are often consumed by it. This 'illness' of art isn't about being unwell, but rather a deep-seated need to express and communicate our innermost feelings and thoughts to the world, even when they are dark or troubling.

And while some may perceive this 'illness' as a burden, isn't it also our most profound strength? It's this very compulsion that has given the world its most enduring and moving masterpieces. So, while art may be our ailment, it's also undeniably our cure. As we embrace our creative urges, let's celebrate the 'illness' that lets us see the world through a lens few can comprehend and even fewer can replicate.

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We are innately drawn to the act of creation. We've channeled this drive to curate this inspiring quote and contex along with our own portrait we created of Edvard Munch..our tribute to the timeless dance of creativity. Go paint!