16x105 3D Professional 2.5" Deep K2 Stretcher Frame Kit

True 105:16 Custom Proportion - 16x105 Size

• Super strong 3D™ Pro K2™ Stretcher Bar is a very popular among contemporary artists whose painting will be displayed without a frame.
• For this 16x105 large size frame, the frame provides the ultimate foundation for your art with increased strength and stability
• Provides a 2.5" deep stretched canvas which makes a bold and commanding display
• 1-1/4" wide Stretcher Bars
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

3D™ Pro 2.5 Stretcher Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 2.5" deep stretched canvas (Actual depth is slightly thinner)
• 1.25" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Forests need People, and People Need Forests

The concept of sustainability presupposes a comprehensive engagement of individuals in the art and science of forest stewardship, both in the present and for the well-being of generations to come. Humanity undoubtedly extracts wood from forests to supplement our needs, but they also play a crucial role in bestowing diligent care upon these ecosystems. This stewardship encompasses not only the responsible harvesting of forest resources but also extends to the safeguarding of clean water sources, the preservation of wildlife and their native habitats, and the mitigation of potential threats like erosion, fires, and diseases that could otherwise lead to untimely degradation of these precious woodlands.

Masterpiece® uses only lumber harvested from responsibly and sustainably managed timberlands.

24x113 is the Canvas Size Needed for this 16x105 Frame

Please note that you will need a canvas that is at least 8 Inches larger than the actual frame size to ensure proper stretching. This will provide ample material to stretch the canvas and attach it to the back of the frame. If you prefer to attach the canvas from the edge of the stretcher frame, you can reduce the size of your canvas by approximately 3/4" all the way around the frame. This will allow you to paint on the edge of the canvas and hang your artwork without needing a separate picture frame. And, if you ever need to remove the canvas from the frame and re-attach it, you'll have enough material to do that too.

Tight'n'Up™ Liquid Canvas Retensioner

One of our most appreciated products helps make your canvas tighter! Stretching a canvas tightly can be a challenge. Our Frame Kits include the Corner and Brace Keys that you will need to add tension, but Tight'n'Up™ Liquid Canvas Re-Tensioner is a way that you can use to add tension to the canvas without needed to use the keys. It canvas be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets. Recommended for acrylic primed cotton or linen canvas. We do not recommend it for oil primed canvas because there are simply too many different types of oil primed canvas, but used conservatively at your own risk, it will tension any canvas.

Masterpiece® is a family-owned business operating in California since 1965 and producing the finest Stretcher Bars in North America. We deliver the highest quality and highest performing products in the business. We are widely recognized as the nation's leader and trendsetter of professional quality fine-art canvas. We own several patents that make our products perform superior to any other on the market. Once you touch one of our products, you'll immediately recognize our impeccable qualityÑand more importantly, so will your clients and those who acquire your art

I have always been a pencil. ♦ Henri de Toulouse-Lautrec

In the bustling milieu of the late 19th-century Montmartre, where bohemians and innovators coalesced, Henri de Toulouse-Lautrec distinguished himself not just with his provocative art but also with his profound self-awareness. I have always been a pencil is a deceptively simple assertion, revealing much about Lautrec's perception of himself and his place within the art world. For him, the pencil wasn't just an instrumentÑit was an extension of his very being.

As we immerse ourselves in our craft, the tools we employ become integral to our expression. They are not just inanimate objects, but vehicles through which our innermost thoughts, feelings, and visions flow. Lautrec's analogy reminds us of the symbiotic relationship between an artist and their medium. In every stroke, shading, or line, there's a piece of us. There's a tool that becomes so innate to our own artistic process that it feels like an extension of our very selves, just as the pencil was for Lautrec. In acknowledging this, we embrace the intimate dance between our souls and the art we produce.

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With an artist's spirit and a modern touch, we bring you this hand-selected quote and provide context to its meaning. To tie it all together, we include our own one-of-a-kind portrayal of Henri de Toulouse-Lautrec. Now let your colors flow!