8x18 Monet Pro Sierra Canvas 1-1/2" Deep #ME-0818

True Dynamic Root-5 Proportion - 8x18 Size

This 8x18 is one of our Dynamic Root-5 Rectangle Root-5 Rectangle series.

The Dynamic Root-5 rectangle is an inspiring proportion based on organizing your spatial composition with endless symmetrical divisions. The premise in Jay Hambridge's 1926 book is that the Dynamic Symmetry of individual elements are informed by their relationship to the entire composition. This very special proportion is guided by the square roots of integers and has a storied and historical basis in art.

It involves the use of geometric shapes and patterns in the proportion of the square root of 5 to 1 to create balance and harmony in a composition. This can be achieved by dividing a composition into a grid of squares or rectangles, and then placing elements within the grid in a way that follows the principles of dynamic symmetry. Dynamic symmetry is often used to create a sense of order and structure in a composition, and can be particularly useful for creating compositions that are harmonious and pleasing to the eye.

Explore other sizes in this same 9:4 aspect ratio:

4x9 • 9x20 • 13x29 • 17x38 • 21x47 • 25x56 • 26x58 • 30x67 • 34x76 • 38x85 • 42x94

Explore Related Products to this 8x18 Size:

• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Sausalito™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™
• Raw Unprimed Cotton: Raw No 12 • Raw No 10 • Raw No 8
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5

Sierra™ 11.5oz Acrylic Primed Cotton

Heavy weight and body with a delightful medium tooth and texture; great for heavy paint applications and impasto.

• 100% Cotton 11.5 oz.; Primed Weight 14.6 oz. per square yard
• Heavy Weight, Medium Weave, Medium Texture
• Sized and Triple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

8x18 Monet Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 10" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 20", but this frame provides very robust and solid support for this 8x18 size frame

Selective Harvesting in our Sustainable Forests

Intelligent selective harvesting of timber is an ecological method to replace the natural occurrences of forest fires and disease and landslides that can devastate forests. This is all part of the process of sustainable forest management to which we subscribe when we choose which lumber we use in our products.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Our passion at Masterpiece® is to deliver the highest quality canvases that can be made. We are widely recognized as the nation's leader and trendsetter of professional quality fine-art canvas. We own several patents that make our products perform superior to any other on the market, but our craftsmanship and consistency is part of what makes-up our brand. Simply touch one of our fine canvases, and you will easily discern our impeccable quality, and so will your clients and the enthusiasts who will eventually acquire your art.

We have never made a statue worthy of our dreams. ♦ Anatole France

Anatole France, a Nobel laureate in literature, is often remembered for his poignant reflections on life and art. His remark about statues not living up to our dreams is not merely a comment on sculptural art but a deeper contemplation on the vastness of human imagination. This realization highlights the endless expanse of our dreams and aspirations, which often dwarf our tangible achievements.

Every artist knows the frustration of trying to capture the brilliance of an idea or an emotion, only to find that the final piece, while beautiful, might not fully encompass the vision. The sentiment is universal among creators. However, it's not necessarily a critique, but more an acknowledgment of the relentless drive artists have to continuously strive for perfection. It emphasizes that while our dreams might set an almost unreachable standard, it is the pursuit of those dreams that defines and elevates our art career. It's a powerful reminder to us that while we may never achieve perfection, the pursuit of it is what makes the artistic process so fulfilling.

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We curated this empowering quote with some context and hope you find it insightful, plus we created this unique portrait of Anatole France to make it a bit more intriguing. Now get to work on your own!