50x75 Monet Pro Sierra Canvas 1-1/2" Deep #ME-5075

True 3:2 Film Proportion - 50x75 Size

It's also a bit unusual to see both dimensions of this frame size divisible by 5.

The 3:2 aspect ratio is a very familiar format film, computer screens, and video, and, of course, is an aesthetically appealing proportion for your artistic compositions. Most 35 mm film cameras are based on this exact proportion, so our brains are trained to see images in this same ratio. It is commonly used for landscape photography and artwork, as it allows for a wide, panoramic view of the scene. It can be used to create a sense of balance and harmony in the composition, providing depth and perspective, as the longer sides of the canvas allow for more space to depict the background or foreground elements of the scene.

Even though this proportion is widely used, there are only a handful of commonly available standard canvas sizes in this ratio. There are a whole collection of intriguing (what we call) Lost Sizes, which are uncommon sizes in this common proportion. Unusual canvas sizes add intrigue to your artwork and an additional story to tell about your painting.

Explore other sizes in this same 3:2 aspect ratio:

4x6 • 6x9 • 8x12 • 10x15 • 12x18 • 14x21 • 16x24 • 18x27 • 20x30 • 22x33 • 24x36 • 26x39 • 28x42 • 30x45 • 32x48 • 34x51 • 36x54 • 38x57 • 40x60 • 42x63 • 44x66 • 46x69 • 48x72 • 52x78 • 54x81 • 56x84 • 58x87 • 60X90 • 62x93 • 64x96 • 16x24

Explore Related Products to this 50x75 Size:

• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Sausalito™ • Shasta™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Grenoble™ • Pau™
• Raw Unprimed Cotton: Raw No 12 • Raw No 10 • Raw No 8
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™ • Isola™ • Poitiers™
• 3D™ Pro 2.5

Sierra™ 11.5oz Acrylic Primed Cotton

Heavy weight and body with a delightful medium tooth and texture; great for heavy paint applications and impasto.

• 100% Cotton 11.5 oz.; Primed Weight 14.6 oz. per square yard
• Heavy Weight, Medium Weave, Medium Texture
• Sized and Triple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Monet™ Pro 1.5" Deep B2 Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Super strong B2™ Stretcher Bar upgrade is 50% stronger
• For this 50x75 large size frame, this upgrade adds more strength and stability
• Produces a 1.5" deep stretched canvas
• 2-1/4" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

50x75 Monet Pro Super Heavy Frame Provides Maximum Support!

• Drawing depicts the exact frame construction, not the proportion
• Extra Heavy 2-1/4" wide Stretcher Bars, 1.5" deep - 50% stronger than our normal Bars they provide vastly superior frame strength needed for this large 50x75 size
• Two super strong 3/4" thick keyable braces and two cross braces (all 3.25" wide) provide the maximum possible support for this 50x75 frame; Cross Braces are permanently installed in the frame, but canvas tension may be increased by tapping-in the keys or wedges that slightly expand the size of the frame
• The Stretcher Bars have an proprietary utility groove on the inside perimeter of the frame which is used to attach braces and other optional frame supports
• The Masterpiece braces feature an exclusive system that allows you to increase the tension to the middle of the frame, where the tension is needed the most; it's so unique it earned us a patent!
• Our state-of-the-art cross braces attach the ends of the cross braces into the (grooved) sides of the braces, which creates a superior and robust system of interlocking cross braces
• To increase canvas tension: 1) remove any staples in the corners and those that retain the brace keys in the middle, 2) tap all of the expansion keys further into their respective slots, 3) tighten and re-staple the canvas in the corners

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Monet™ Pro professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8", so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainably Managed Forests Coexist with Mankind

We use lumber grown in the sustainable forests of the Pacific Northwest, where there’s more standing timber today than last century! There will always be a demand for wood pulp and fiber, but striking a harmonious balance with human coexistence is the essential strategy to which we subscribe. Sustainably managed forests increase our health and abundance of our forests which can be in harmony with this precious natural resource.

Specially Dried and Heat Treated Lumber

Our wood is handpicked from a curated group of environmentally responsible lumber mills in the Pacific Northwest. By adhering to our precise drying and heat-treatment standards, these mills produce lumber with nearly half the moisture you'd find in common home improvement outlets or lumber yards. This meticulous process not only enhances the wood's strength—minimizing risks of cracks, splits, or bends—but also elevates its dimensional stability. Such quality, despite its premium, is paramount in creating professional canvases designed to uphold the sanctity of your cherished art throughout the years.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Since 1965, our passion for perfection has driven us at Masterpiece® to construct professional quality canvases that artists around the nation desire. All too often, other brands are more focused on saving cost and delivering less than adequate quality. However, we find that our customers not only desire fine quality, but they also tell us that their art is better for having painted on the exquisite canvases that we produce.

Beauty in art is the delicious notes of color one against the other. It is just as much system as the solar system. ♦ George Inness

In the eyes of George Inness, the interplay of colors in a piece of art is not a random act of whimsy but a systematic dance, echoing the precision and beauty of celestial bodies in motion. Inness, renowned for his atmospheric landscapes, knew the profound impact that juxtaposing just the right hues could have on a canvas. The seemingly effortless placement of one shade against another is a culmination of observation, understanding, and an intrinsic feel for the natural world.

Just as the planets revolve in a predetermined path, governed by gravitational forces, the colors in an artwork too have their own gravity, their own pull. When harmonized correctly, they strike a balance that feels both organic and preordained. For us, as creators, this serves as a reminder. While our instincts guide our hand, understanding the science behind our choices, the very system that makes a composition sing, is crucial. Just as astronomers look to the stars and see patterns, we must find our patterns in the palettes we choose, crafting artworks that not only please the eye but also resonate with the very rhythm of the universe.

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We hope to inspire your art with this wonderful quote and our interpretation along with our own one-of-a-kind portrait of George Inness..got to love it!