7x15 Monet Pro Versailles Canvas 1-1/2" Deep #ML-0715

True 15:7 Custom Proportion - 7x15 Size

This 7x15 is a unique Masterpiece size and 15:7 aspect ratio.

Explore Related Products to this 7x15 Size:

• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Hardcore Canvas Panel: Versailles™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5

Versailles™ Oil Primed Artfix Linen

• 100% Belgian Linen 6.1 oz; Primed Weight 14.6 oz per square yard
• Medium Weight, Closed Weave, Medium Texture
• Double Sized and Double Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

7x15 Monet Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 10" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 20", but this frame provides very robust and solid support for this 7x15 size frame

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Sustainably Managed Forests Purify the Air

Our forests purify the air by filtering nearly 40% of the fossil fuel emissions humans create, and are critical to reducing global warming. More trees are needed on this planet, not fewer, for our own healthy human survival. Therefore, we use lumber grown in responsibly managed forests, so future generations can benefit from our responsible actions today.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

The canvas you choose is the foundation for your painting, but also serves as symbol of the quality that you as an artist stand for, and reflect on your own brand. Masterpiece® serves as your silent partner to create your next masterpiece. You "wow" them from the front, while we "wow" them from behind.

The painter . . does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents. ♦ George Inness

George Inness, a prominent figure in American art history, was a visionary who championed the idea that art wasn't just about mirroring reality but rather capturing its intangible essence. This notion seems encapsulated in the idea that an artist doesn't merely adjust his materials to the outside world or even attempt to mold that vast, diverse world to his whims. Instead, he adapts himself to the medium, finding harmony between the paint and personal expression.

This profound relationship between the artist and their medium is something many of us can relate to. As artists, we understand the importance of respecting our materials, knowing their potential, and letting them guide our hand to some extent. This delicate dance of wielding control while also surrendering to the unpredictability of the paint, the canvas, or any artistic medium showcases the depth of commitment and passion we bring to our craft. In the end, our artistic creations are not just mere representations but are reflections of our bond with our tools, our passion, and the myriad emotions and stories we wish to convey.

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We offer you these words of wisdom and our take on the message in hope to inspire your art. We also pay tribute by creating this unique portrait of George Inness. Go paint!