10x12 Monet Pro Versailles Canvas 1-1/2" Deep #ML-1012

True 6:5 Almost Square Proportion - 10x12 Size

While this is an usual size, artists tend to use it fairly often.

Explore other sizes in this same 6:5 aspect ratio:

5x6 • 20x24 • 30x36 • 15x18 • 25x30 • 35x42 • 40x48 • 45x54 • 50x60 • 70x84 • 75x90

Explore Related Products to this 10x12 Size:

• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Hardcore Canvas Panel: Versailles™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5

Versailles™ Oil Primed Artfix Linen

• 100% Belgian Linen 6.1 oz; Primed Weight 14.6 oz per square yard
• Medium Weight, Closed Weave, Medium Texture
• Double Sized and Double Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

10x12 Monet Pro Keyable Fame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined heavy duty keyable tongue-and-groove Stretcher Bars
• No cross braces required when the frame length is under 20", but this frame provides robust support for this 10x12 size
• To increase canvas tension, remove any staples in the corners, then tap-in the included corner keys further into their slots, then re-staple the canvas

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Sustainable Forests - A Precious Natural Resource

The air that we breathe depends upon our healthy forests the world over. For this reason, we only use lumber from the sustainable forests of the Pacific Northwest, so we can guarantee that our nation's precious natural timber resources are available for future generations.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

For over half a century, Masterpiece® has been synonymous with top-tier artist canvases in North America. A canvas isn't just fabric; it's an invitation to create, to turn raw talent into timeless art. Choose wisely, for your art's endurance reflects your legacy and brand distinction.

Beauty in art is the delicious notes of color one against the other. It is just as much system as the solar system. ♦ George Inness

In the eyes of George Inness, the interplay of colors in a piece of art is not a random act of whimsy but a systematic dance, echoing the precision and beauty of celestial bodies in motion. Inness, renowned for his atmospheric landscapes, knew the profound impact that juxtaposing just the right hues could have on a canvas. The seemingly effortless placement of one shade against another is a culmination of observation, understanding, and an intrinsic feel for the natural world.

Just as the planets revolve in a predetermined path, governed by gravitational forces, the colors in an artwork too have their own gravity, their own pull. When harmonized correctly, they strike a balance that feels both organic and preordained. For us, as creators, this serves as a reminder. While our instincts guide our hand, understanding the science behind our choices, the very system that makes a composition sing, is crucial. Just as astronomers look to the stars and see patterns, we must find our patterns in the palettes we choose, crafting artworks that not only please the eye but also resonate with the very rhythm of the universe.

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We love fanning the flames of your artistic passion. Immerse yourself in the wisdom of this intriguing quote and context, and enjoy our own unique creation of this portrait of George Inness. Paint your heart out!