6x12 Monet Pro Torrey Pines Canvas 1-1/2" Deep #MTP-0612

True 2:1 Domino Proportion - 6x12 Size

6x12 is one of our popular Domino 2:1 sizes.

The 2:1 aspect ratio, that we call the domino proportion, also offers a unique canvas for artists to play with the perception of space and depth within their compositions. The elongated format allows for the inclusion of foreground, middle ground, and background elements, creating a sense of distance and scale that draws the viewer's eye into the artwork. This aspect ratio has been used by artists throughout history, from ancient Egyptian tomb paintings to Renaissance frescoes to contemporary photography. Its versatility and timelessness make it a classic choice for artists seeking to create dynamic and engaging compositions.

Explore other sizes in this same 2:1 aspect ratio:

4x8 • 5x10 • 7x14 • 8x16 • 9x18 • 10x20 • 12x24 • 14x28 • 15x30 • 16x32 • 18x36 • 20x40 • 22x44 • 24x48 • 26x52 • 30x60 • 32x64 • 34x68 • 36x72 • 38x76 • 40x80 • 42x84 • 45x90 • 48x96

Explore Related Products to this 6x12 Size:

• Raw Unprimed Linen: Mono Lake™ • Mandalay™
• Raw Unprimed Cotton: Raw No 12 • Raw No 8 • Raw No 10
• Acrylic / Oil Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5

Raw Torrey Pines™ Belgian Linen 9.6 oz Unprimed

Heavy-weight dense-weave raw unprimed Belgian Linen. Take control of your art by preparing your own ground on Belgian Linen canvas. Use bare expanses of canvas as part of the painting or simply create the ground exactly ask you like.

• 100% Belgian Linen 9.6 oz. per square yard
• Heavy Weight, Tight Weave, Medium Texture
• Raw fabric blocks 94% of the light, which indicates how tight is the weave
• Warp and Weft: 40x36 yarns per square inch
• Linen has natural oils that prevent disintegration over time.

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

6x12 Monet Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 10" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 20", but this frame provides very robust and solid support for this 6x12 size frame

Sustainably Managed Forests Inhale and Exhale

The world's forests are essential to human survival. Forests inhale carbon dioxide for the earth, and exhale oxygen essential for life. When we speak of the sustainable forest strategy of ensuring that more timber will exist in the same forest land than exists today, this is the only viable plan for the future of humanity. For this reason, we use only lumber from the sustainable forests of Oregon, Washington, and California, where thereÕs more standing timber today than last century!

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Guided by our mission to provide unparalleled quality, Masterpiece® stands as the nation's prime influencer in the domain of professional fine-art canvases. Dive into our diverse collection of surfaces and roll sizes tailored for every artist's unique requirements.

When I paint a person, his enemies always find the portrait a good likeness. ♦ Edvard Munch

Edvard Munch, the Norwegian artist best known for his iconic painting The Scream, frequently explored the complex interplay of human emotions, perceptions, and relationships. His works often encapsulated raw feelings, from agony to ecstasy, all captured with intense vividness. Munch's quote here offers a witty observation on human nature, suggesting that when he paints someone, the person's adversaries are more likely to see it as an accurate portrayal, perhaps due to their critical or biased perspectives.

This notion highlights the intriguing challenge we face in representing subjects. As we capture a moment, emotion, or character on canvas, interpretation lies heavily in the eyes of the beholder. Our work becomes a mirror, reflecting not only the subject's essence but also revealing the biases, preconceptions, and emotions of those who view it. Through art, we can expose these biases, prompting introspection and dialogue among our audience. After all, the true magic of art lies not just in its creation, but in its capacity to evoke a myriad of responses and emotions in those who experience it.

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We curated this empowering quote with some context and hope you find it insightful, plus we created this unique portrait of Edvard Munch to make it a bit more intriguing. Now get to work on your own!