13x21 3D Pro Carmel Canvas 3-1/2" #TC-1321

True Fibonacci Proportion - 13x21 Size

This special 13x21 size is part of the Fibonacci Series of intriguing sizes that are closely related to the Golden Mean. It's exact aspect ratio is 21:13 and is a truly unique and inspiring canvas size.

Here are a couple of other sizes in the exact same 21:13 proportion:

8x13 • 21x34

Explore Related Products to this 13x21 Size:

• Acrylic Primed Cotton: Monterey™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Acrylic Primed Linen: Muir™ • Vintage L22U™
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™
• Hardcore Canvas Panel: Carmel™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 2.5

Carmel™ 7oz Portrait Smooth Cotton

Very smooth surface texture for fine detailed type work, but still has enough texture to grip the paint.

• 100% Cotton 7 oz.; Primed Weight 10.3 oz. per square yard
• Medium Weight, Medium Weave, Portrait Smooth Texture
• Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

3D™ Pro 3.5 Stretcher Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 3.5" deep stretched canvas (Actual depth is slightly thinner)
• 1.25" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

No Finger Joints!

Solid Wood is far superior to finger jointed wood, which is many small pieces glued together, each with varying grain densities that absorb and shed moisture at varying rates, expanding and contracting non-uniformly as environmental conditions change, and causing the wood to bow and the finger joints to eventually fail.

A single homogeneous kiln-dried solid wood Stretcher Bar outperforms and outlasts a finger jointed Bar whose sole purpose is to save the manufacturer cost, not contribute to the archival value of artwork intended to last a millennium. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

13x21 3.5" Deep Edge Heavy Frame Offers Maximum Support!

• Drawing depicts the exact frame construction, not the proportion
• 3.5" Deep Edge K3 Heavy Stretcher Bars are precision machined with a unique double tongue-and-groove corner joint that provides rock-solid torsional rigidity that resists warping or twisting, which is an important benefit for such a deep edge canvas
• No Brace Required for this size
• To increase canvas tension, remove any staples in the corners and tap all of the expansion keys further into their respective slots, then tension and re-staple the canvas in the corners

Forests need People, and People Need Forests

Using lumber from sustainably managed forests is a way to support the health and well-being of our planet and its inhabitants. By choosing products made with sustainably sourced lumber, we can help to protect the environment, support local communities, and ensure a sustainable future for generations to come.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

The canvas you select becomes the foundation of your painting and will forever be, so choose your substrates wisely. Savvy art buyers and art enthusiasts place a higher value on artwork made with quality materials because they expect their investment in your art will be a lasting testament to your brand and legacy.

To paint from nature is not to paint the subject, but to realize sensations. ♦ George Inness

George Inness, a luminary in the world of art, carried a perspective that was as profound as it was poetic. His relationship with nature wasn't just that of a painter observing a subject, but of an individual immersing himself in the sensory experience it provided. He believed that the act of painting was more than a mere replication; it was a deep and introspective journey into sensation and feeling.

When we, as artists, approach nature, we are met with a symphony of colors, sounds, and textures. It beckons us to move beyond mere observation and step into a realm of emotion and perception. It's not just about capturing the physical beauty before us but tapping into the myriad of sensations that it evokes. In doing so, we not only honor the essence of nature but also unveil a part of our own soul, revealing to our audience a piece of our own intimate dance with the world around us.

---

To enhance your creative exploration of our site, we offer the insightful wisdom of George Inness, our interpretation, and little one-of-a-kind portrait that we created. Now go paint!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.