9x12 3D Pro Vintage L21C Canvas 3-1/2" #TO-0912

True 4:3 Cinema Proportion - 9x12 Size

And not to mention that is the one of the most popular artistic sizes ever!

Explore other sizes in this same 4:3 aspect ratio:

12x16 • 18x24 • 30x40 • 36x48 • 54x72 • 72x96

Explore Related Products to this 9x12 Size:

• Alkyd / Oil Primed Linen: Malibu™
• Acrylic Primed Linen: Muir™ • Vintage L22U™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Sausalito™ • Sierra™ • Sierra™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 2.5

Vintage™ L21C Oil Primed Artfix Linen

Artfix L21C oil primed Belgian Linen has a warm golden hue oil primer which is superb for oil and alkyd type paints. Excellent painting surface with qualities of luminosity. It has a medium tooth and texture. Our best selling oil primed canvas.

• 100% Belgian Linen 5 oz.; Primed Weight 13 oz. per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time.

3D™ Pro 3.5 Stretcher Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 3.5" deep stretched canvas (Actual depth is slightly thinner)
• 1.25" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

No Finger Joints!

Solid Wood is far superior to finger jointed wood, which is many small pieces glued together, each with varying grain densities that absorb and shed moisture at varying rates, expanding and contracting non-uniformly as environmental conditions change, and causing the wood to bow and the finger joints to eventually fail.

A single homogeneous kiln-dried solid wood Stretcher Bar outperforms and outlasts a finger jointed Bar whose sole purpose is to save the manufacturer cost, not contribute to the archival value of artwork intended to last a millennium. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

9x12 3.5" Deep Edge Heavy Frame Offers Maximum Support!

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are 3.5" deep x 1-1/4" wide
• Fixed Corner Frame - Not keyable or expandable
• No Brace Required for this size

What is Sustainable Forestry?

To a forester, the term "sustainable" could mean exercising industry adopted forestry practices to maintain a forest indefinitely. To a logger, the process of proper care for the trees remaining after a harvest. To a landowner, their interest may lie in keeping their forest in the family. And to those of involved in the process of making and using wood-based art supplies, it can mean promoting and supporting an industry dedicated to the preservation of our precious natural resource. We can all do our part to care for our national forests.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Since 1965, our passion for perfection has driven us at Masterpiece® to construct professional quality canvases that artists around the nation desire. Your art is better and more valuable when the materials you use are complementary to the blood, sweat, and passion you will paint on top.

Art is a kind of illness. ♦ Edvard Munch

Edvard Munch, best known for his iconic masterpiece The Scream, gifted the world with expressions of raw emotion, pain, and existential angst. His art wasn't just about painting a beautiful landscape or a serene scene; it was a visceral outpouring of his inner turmoil, fears, and joys. Munch's tumultuous life, marred by the early deaths of his parents and sibling illnesses, might have left an indelible imprint on his psyche. Perhaps this led him to see art as a sort of malaise, an inescapable condition that both tormented and elevated him.

For many artists, there's an undeniable compulsion to create, an itch that must be scratched, a need that's almost as fundamental as breathing. As artists, we often find that our craft isn't just something we do; it's intertwined with our very identity. It's both our salvation and, at times, our curse. We wrestle with it, we embrace it, and we are often consumed by it. This 'illness' of art isn't about being unwell, but rather a deep-seated need to express and communicate our innermost feelings and thoughts to the world, even when they are dark or troubling.

And while some may perceive this 'illness' as a burden, isn't it also our most profound strength? It's this very compulsion that has given the world its most enduring and moving masterpieces. So, while art may be our ailment, it's also undeniably our cure. As we embrace our creative urges, let's celebrate the 'illness' that lets us see the world through a lens few can comprehend and even fewer can replicate.

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Creativity is the heart of what we both do. So we've curated this empowering quote and some background. And, in our own act of creation, we provide this unique portrayal we made of Edvard Munch.