4x6 Vincent Pro Vintage L21C Canvas 7/8 Inch Deep #VO-0406

True 3:2 Film Proportion - 4x6 Size

The 3:2 aspect ratio is a very familiar format film, computer screens, and video, and, of course, is an aesthetically appealing proportion for your artistic compositions. Most 35 mm film cameras are based on this exact proportion, so our brains are trained to see images in this same ratio. It is commonly used for landscape photography and artwork, as it allows for a wide, panoramic view of the scene. It can be used to create a sense of balance and harmony in the composition, providing depth and perspective, as the longer sides of the canvas allow for more space to depict the background or foreground elements of the scene.

Even though this proportion is widely used, there are only a handful of commonly available standard canvas sizes in this ratio. There are a whole collection of intriguing (what we call) Lost Sizes, which are uncommon sizes in this common proportion. Unusual canvas sizes add intrigue to your artwork and an additional story to tell about your painting.

Explore other sizes in this same 3:2 aspect ratio:

6x9 • 8x12 • 12x18 • 18x27 • 20x30 • 24x36 • 10x15 • 14x21 • 16x24 • 22x33 • 26x39 • 28x42 • 30x45 • 32x48

Explore Related Products to this 4x6 Size:

• Oil Primed Linen: Versailles™ • Poitiers™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5

Vintage™ L21C Oil Primed Artfix Linen

• 100% Belgian Linen 5 oz; Primed Weight 13 oz per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

4x6 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 4x6 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

No Finger Joints!

Solid Wood is far superior to finger jointed wood, which is many small pieces glued together, each with varying grain densities that absorb and shed moisture at varying rates, expanding and contracting non-uniformly as environmental conditions change, and causing the wood to bow and the finger joints to eventually fail.

A single homogeneous kiln-dried solid wood Stretcher Bar outperforms and outlasts a finger jointed Bar whose sole purpose is to save the manufacturer cost, not contribute to the archival value of artwork intended to last a millennium. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Biodiversity in our Forests is the Key to Life as we know it

By using lumber from sustainably managed forests in our products, we can ensure that the forests will continue to thrive and provide valuable resources for years to come. Sustainable forestry practices help to maintain the health and biodiversity of the forest, which benefits not only the environment, but also the local communities and businesses that rely on the forest for their livelihoods.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Since 1965, our passion for perfection has driven us at Masterpiece® to construct professional quality canvases that artists around the nation desire. All too often, other brands are more focused on saving cost and delivering less than adequate quality. However, we find that our customers not only desire fine quality, but they also tell us that their art is better for having painted on the exquisite canvases that we produce.

The colors live a remarkable life of their own after they have been applied to the canvas. ♦ Edvard Munch

Edvard Munch, the creative force behind the haunting visage of The Scream, had an extraordinary ability to harness the raw power of emotions, rendering them with vivid hues on his canvases. For Munch, color wasn't merely a tool but a living entity. Once laid down, colors weren't static; they interacted, evolved, and told stories far more intricate than what the initial brushstroke intended.

In our art, we can relate to this sentiment. As we layer pigments and shapes, we often find that the artwork starts speaking back to us, taking on a life and narrative of its own. We begin with an idea, but the final piece may tell an entirely different tale. This organic evolution is a testament to the dynamic relationship between the artist and the medium. It's a dance of control and release, where the unpredictability of the colors and forms is both the challenge and the joy of our craft.

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We curated this insightful quote by Edvard Munch, and our interpretation thereof; plus we made this portrait in the spirit of creativity. Time to create your own expression!