4x7 Vincent Pro Vintage L21C Canvas 7/8 Inch Deep #VO-0407

True Dynamic Root-3 Proportion - 4x7 Size

This 4x7 is one of our Dynamic Root-3 Rectangle Root-3 Rectangle series.

Explore other sizes in this same 7:4 aspect ratio:

7x12 • 8x14 • 11x19 • 15x26 • 19x33 • 22x38

Explore Related Products to this 4x7 Size:

• Oil Primed Linen: Versailles™ • Poitiers™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5

Vintage™ L21C Oil Primed Artfix Linen

• 100% Belgian Linen 5 oz; Primed Weight 13 oz per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

4x7 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 4x7 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Sustainably Managed Forests Coexist with Mankind

We use lumber grown in the sustainable forests of the Pacific Northwest, where thereÕs more standing timber today than last century! There will always be a demand for wood pulp and fiber, but striking a harmonious balance with human coexistence is the essential strategy to which we subscribe. Sustainably managed forests increase our health and abundance of our forests which can be in harmony with this precious natural resource.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

The canvas you choose is the foundation for your painting, but also serves as symbol of the quality that you as an artist stand for, and reflect on your own brand. Masterpiece® serves as your silent partner to create your next masterpiece. You "wow" them from the front, while we "wow" them from behind.

My business is to paint what I see, not what I know is there. ♦ Joseph Mallord William Turner

This statement by Joseph Mallord William Turner, a prominent landscape painter born in 1775 in Covent Garden, London, underscores his commitment to capturing the essence of nature and light in his paintings was unwavering throughout his life.

Turner's artistry was deeply rooted in his relentless observation of the world around him. He traveled extensively, sketching and studying landscapes, pushing the boundaries of traditional landscape painting with his abstract use of color and light. His ability to paint what he saw, not what he knew, serves as a reminder to artists to embrace the world with fresh eyes and convey the raw beauty of the moment through their work.

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The spirit of artistry is inspiration and creation. We too are inspired by the wisdom of this quote and hope you are inspired by our interpretation thereof, as well as this inimitable portrait we created of Joseph Mallord William Turner. Go create!