8x10 Vincent Pro Vintage L21C Canvas 7/8 Inch Deep #VO-0810

True 5:4 Photography Proportion - 8x10 Size

And 8x10, of course, is one of the most popular sizes ever in both photography and art!

The 5:4 aspect ratio is common to both art and portrait photography, as it creates a visually pleasing format for the human figure and face. The balanced compositional format can help to create a sense of symmetry and harmony in your artwork. The 5:4 ratio has a familiar "feel", as it was commonly used in early computer monitors. Additionally, you might consider trying some relatively unknown sizes in this same proportion that we call Lost Sizes As an artist, you get the best of both worlds, because you still get to use the same aesthetically appealing 5:4 format and use rare or novel sizes that help make your art stand-out.

Explore other sizes in this same 5:4 aspect ratio:

4x5 • 16x20 • 24x30 • 12x15 • 20x25 • 28x35 • 32x40 • 40x50 • 36x45

Explore Related Products to this 8x10 Size:

• Oil Primed Linen: Versailles™ • Poitiers™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5 • 3D™ Pro 2.5 • 3D™ Pro 3.5

Vintage™ L21C Oil Primed Artfix Linen

• 100% Belgian Linen 5 oz; Primed Weight 13 oz per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

8x10 Vincent Pro Keyable Fame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 8x10 size frame
• To increase canvas tension, remove any staples in the corners, then tap-in the included corner keys further into their slots, then re-staple the canvas

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Sustainably Managed Forests

We use lumber grown in the sustainable forests of the Oregon, Washington, and California, where thereÕs more standing timber today than last century! Our forests purify the air, provide oxygen, and reduce global warming. More trees are needed on this planet, not fewer. Therefore, we use lumber grown in responsibly managed forests, so future generations can benefit from our collective responsible actions today.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

A canvas is one of the very few products you can buy, and with your precious time, talent, and materials transform it into a work of art that could one day be worth a fortune. Don't skimp on your material choices! Your legacy and your own brand will be judged by how well your artwork stands the test of time.

Do not be afraid of big effects, but..remember the sunlight is never as glaring as it looks and never as dark as you feel it to be. ♦ John Singer Sargent

John Singer Sargent, renowned for his brilliant portraiture and evocative use of light, has always had a distinct understanding of the world of color and shadow. His works, characterized by their lifelike representation, stem from his precise observation and meticulous study of the interplay of light. This quote, a testament to his deep grasp of the subject, serves as a metaphorical guide to artists and their ever-evolving relationship with their work.

It's easy for us to be drawn towards the grand and dramatic, to magnify our perceptions and let them overshadow the subtleties. Yet, as artists, we should remember that there's a delicate equilibrium to be found, a balance between the extremes of light and dark. Sargent urges us to trust our instincts and insights, emphasizing that what might appear too bold or too subtle in our minds might not be the reality on our canvas. Artistic expression is about capturing the nuances, and it's in these nuances that we truly connect with our audience. By trusting ourselves and our unique perspectives, we ensure that our art remains authentic and relatable.

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We hope to inspire your art with this wonderful quote and our interpretation along with our own one-of-a-kind portrait of John Singer Sargent..got to love it!