8x12 Vincent Pro Pau Canvas 7/8 Inch Deep #VP-0812

True 3:2 Film Proportion - 8x12 Size

The 3:2 aspect ratio is a very familiar format film, computer screens, and video, and, of course, is an aesthetically appealing proportion for your artistic compositions. Most 35 mm film cameras are based on this exact proportion, so our brains are trained to see images in this same ratio. It is commonly used for landscape photography and artwork, as it allows for a wide, panoramic view of the scene. It can be used to create a sense of balance and harmony in the composition, providing depth and perspective, as the longer sides of the canvas allow for more space to depict the background or foreground elements of the scene.

Even though this proportion is widely used, there are only a handful of commonly available standard canvas sizes in this ratio. There are a whole collection of intriguing (what we call) Lost Sizes, which are uncommon sizes in this common proportion. Unusual canvas sizes add intrigue to your artwork and an additional story to tell about your painting.

Explore other sizes in this same 3:2 aspect ratio:

4x6 • 6x9 • 12x18 • 14x21 • 16x24 • 18x27 • 20x30 • 24x36 • 10x15 • 22x33 • 26x39 • 28x42

Explore Related Products to this 8x12 Size:

• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Vintage L22U™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Raw Unprimed Cotton: Raw No 12
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Hardcore Canvas Panel: Pau™

Pau™ Portriat Smooth Acrylic Primed Artfix Linen

• 100% Belgian Linen 6.1 oz; Primed Weight 14.0 oz per square yard
• Medium Heavy Weight, Fine Weave, Portrait Smooth Texture
• Double Sized and Quadruple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Pau™ Portrait Smooth Belgian Linen offers a luxurious surface, ideal for highly detailed work. Preferred by portrait artists because it is so smooth for linen. Due to the nature of how flax plants are turned into linen textiles, there may be variations in yarn thickness thereby creating fabric that is individual in nature and has character. There can be infrequent naturally occurring nubs in the linen which may yield small slight bumps where the linen is a little thicker than the rest of the strand. This is normal and part of what gives linen its character.

8x12 Vincent Pro Keyable Fame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 8x12 size frame
• To increase canvas tension, remove any staples in the corners, then tap-in the included corner keys further into their slots, then re-staple the canvas

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Sustainability in our Forests and our Communities

At Masterpiece®, we believe in responsible and sustainable business practices. That's why we only use lumber from sustainably managed forests in our products. By doing so, we can help to protect our planet's forests, reduce our environmental impact, and support the communities that depend on these valuable resources.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

When you hold a Masterpiece® Vincent™ Pro canvas in your hand, you can immediately sense the quality materials, workmanship and design of this very fine canvas, as will those who will ultimately acquire your art. The colors and canvas you select becomes the foundation of your painting. Your reputation depends upon the quality of your artwork and the integrity of your material choices. Savvy art buyers and art enthusiasts place a higher value on artwork made with quality materials because they expect their investment in your art will last hundreds, if not a thousand years. Using the best materials is a great investment in your own legacy and your brand.

Colour is my day-long obsession, joy and torment. ♦ Claude Monet

Monet's journey with color was a double-edged sword. It was his passion, the driving force behind his artistry, but also the source of his greatest struggles. His approach to painting was revolutionary for its time. Instead of sticking to the traditional methods taught in academies, Monet sought to convey the essence, the fleeting moments of natural scenery. This required a relentless study of color in all its forms.

His artwork, characterized by rapid brush strokes and vibrant colors, is a testament to this obsession. From dawn to dusk, he would paint, aiming to catch the exact shade of light. This obsessive nature, while bringing him immense joy when he could capture nature's magic, also meant enduring torment when he couldn't get it just right. For an artist of his caliber, the difference lay in the minutest of shades.

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With a nod to Claude Monet, we present these words of wisdom and our own custom crafted portrait. Let this fusion stoke your creative fires. Dive into your art!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.