20x60 Vincent Pro Pau Canvas 7/8 Inch Deep #VP-2060

True 3:1 Panorama Proportion - 20x60 Size

This unique 20x60 is actually a fairly common 3:1 proportion used in art and cinema.

The 3:1 Panorama a proportion is preferred by many artists who require a super wide compositional format. Of course, this proportion is popularized by photographers and cinematographers, for ultra landscape and wide angled imagery that creates a sense of scope and grandeur in a scene, like cityscapes, ocean and mountain scenes, and scenes with expansive horizons. It is described as a polyomino proportion on the order of 3 or triple-square proportion. There are several common Panorama sizes in this 3:1 aspect ratio that you will recognize, and some are intriguing custom sizes, as well.

Explore other sizes in this same 3:1 aspect ratio:

5x15 • 12x36 • 18x54 • 8x24

Explore Related Products to this 20x60 Size:

• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Vintage L22U™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Raw Unprimed Cotton: Raw No 12
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™

Pau™ Portriat Smooth Acrylic Primed Artfix Linen

• 100% Belgian Linen 6.1 oz; Primed Weight 14.0 oz per square yard
• Medium Heavy Weight, Fine Weave, Portrait Smooth Texture
• Double Sized and Quadruple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Pau™ Portrait Smooth Belgian Linen offers a luxurious surface, ideal for highly detailed work. Preferred by portrait artists because it is so smooth for linen. Due to the nature of how flax plants are turned into linen textiles, there may be variations in yarn thickness thereby creating fabric that is individual in nature and has character. There can be infrequent naturally occurring nubs in the linen which may yield small slight bumps where the linen is a little thicker than the rest of the strand. This is normal and part of what gives linen its character.

20x60 Vincent Pro Frame Kit Extra Heavy Frame Provides Maximum Support

• Photo displays the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• Two super strong 1/2" thick keyable cross braces (3.25" wide) provide the maximum possible support for this 20x60 frame - Cross Braces may be removed and reinserted at any time
• An exclusive slot is milled on the inside perimeter of all of the Stretcher Bars to which the Braces and the expansion wedges attach
• Patented keyable cross braces allow the frame to be tensioned in the middle of the canvas, where the tension needed the most
• Cross braces firmly attached with hardware at the intersection point for maximum support and rigidity
• To increase canvas tension: 1) remove any staples in the corners and those that retain the brace keys in the middle, 2) tap all of the expansion keys further into their respective slots, 3) tighten and re-staple the canvas in the corners

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretched Canvas Frame.

• Stretcher Bar Profile produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Frames with a dimension of 16" and up have a groove machined in the center inside perimeter to which cross braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainable Forests Ensure More Wood for Communities

Using lumber from sustainably managed forests is not only the responsible thing to do, it's also a way to ensure that the wood products we rely on continue to be available in the future. By supporting sustainable forestry practices, we can help to ensure a steady supply of wood products while also protecting the environment and supporting local communities.

Specially Dried and Heat Treated Lumber

Our wood is handpicked from a curated group of environmentally responsible lumber mills in the Pacific Northwest. By adhering to our precise drying and heat-treatment standards, these mills produce lumber with nearly half the moisture you'd find in common home improvement outlets or lumber yards. This meticulous process not only enhances the wood's strength—minimizing risks of cracks, splits, or bends—but also elevates its dimensional stability. Such quality, despite its premium, is paramount in creating professional canvases designed to uphold the sanctity of your cherished art throughout the years.

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Vincent™ Pro professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

A canvas is one of the very few products you can buy, and with your precious time, talent, and materials transform it into a work of art that could one day be worth a fortune. Don't skimp on your material choices! Your legacy and your own brand will be judged by how well your artwork stands the test of time.

Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter. ♦ Paul Klee

Paul Klee, a painter known for his deeply personal and introspective approach to art, had an unparalleled relationship with color. His innovative techniques and playful exploration brought forth an array of emotions, both on the canvas and in the beholder. Many artists will resonate with this sentiment, as we, too, find ourselves captivated, sometimes even bewitched, by the allure of colors and their limitless possibilities.

Imagine a world where color does not merely reside in palettes and tubes, but where it becomes a living entity, an entity that seeks us, artists, as its vessel. Klee's proclamation isn't merely about the physical act of painting, but the spiritual communion between the artist and his medium. It serves as a poignant reminder to us that when we embrace our art, it embraces us back tenfold. The dance of pigments on a canvas, the play of light and shadow—they're not just techniques but reflections of an artist's soul. To say that Color and I are one is to acknowledge that, in the act of creation, artists and their chosen medium merge into a singular, harmonious entity.

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We curated this empowering quote with some context and hope you find it insightful, plus we created this unique portrait of Paul Klee to make it a bit more intriguing. Now get to work on your own!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.