14x28 Vincent Pro Tahoe Canvas 7/8 Inch Deep #VT-1428

True 2:1 Domino Proportion - 14x28 Size

An intriguing Domino size!

The 2:1 aspect ratio, that we call the domino proportion, also offers a unique canvas for artists to play with the perception of space and depth within their compositions. The elongated format allows for the inclusion of foreground, middle ground, and background elements, creating a sense of distance and scale that draws the viewer's eye into the artwork. This aspect ratio has been used by artists throughout history, from ancient Egyptian tomb paintings to Renaissance frescoes to contemporary photography. Its versatility and timelessness make it a classic choice for artists seeking to create dynamic and engaging compositions.

Explore other sizes in this same 2:1 aspect ratio:

4x8 • 5x10 • 6x12 • 7x14 • 8x16 • 9x18 • 10x20 • 12x24 • 15x30 • 16x32 • 18x36 • 22x44 • 24x48 • 26x52 • 30x60 • 20x40 • 30x60

Explore Related Products to this 14x28 Size:

• Acrylic Primed Cotton: Monterey™ • Carmel™ • Sausalito™ • Sierra™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Monet™ Pro 1.5 • 3D™ Pro 2.5

Tahoe™ 10oz Acrylic Primed Cotton

Strikes the perfect balance between medium & heavy weight cottons; substantially heavier than most widely available canvas, but it is supple and forgiving to the brush.

• 100% Cotton 10 oz.; Primed Weight 14.6 oz. per square yard
• Heavy Weight, Medium Weave, Medium Texture
• Sized and Triple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretched Canvas Frame.

• Stretcher Bar Profile produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Frames with a dimension of 16" and up have a groove machined in the center inside perimeter to which cross braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

14x28 Vincent Pro Keyable Braced Frame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• A 1/2" thick keyable brace (1.5" wide) provides sturdy support for this 14x28 size frame - Brace may be removed in reinserted at any time
• An exclusive slot is milled on the inside perimeter of the 28 Stretcher Bars to which the Brace and the expansion wedges attach
• Patented keyable brace allows the frame to be tensioned in the middle of the canvas, where the tension needed the most
• To increase canvas tension: 1) remove any staples in the corners and those that retain the brace keys in the middle, 2) tap all of the expansion keys further into their respective slots, 3) tighten and re-staple the canvas in the corners

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Vincent™ Pro professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8", so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainability in our Forests and our Communities

At Masterpiece®, we believe in responsible and sustainable business practices. That's why we only use lumber from sustainably managed forests in our products. By doing so, we can help to protect our planet's forests, reduce our environmental impact, and support the communities that depend on these valuable resources.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Our passion at Masterpiece® is to deliver the highest quality canvases that can be made. We are widely recognized as the nation's leader and trendsetter of professional quality fine-art canvas. We own several patents that make our products perform superior to any other on the market, but our craftsmanship and consistency is part of what makes-up our brand. Simply touch one of our fine canvases, and you will easily discern our impeccable quality, and so will your clients and the enthusiasts who will eventually acquire your art.

There are two kinds of light - the glow that illumines, and the glare that obscures. ♦ Francisco de Goya

Francisco de Goya, celebrated as both the last of the Old Masters and the first of the moderns, was no stranger to the dualities of life. His art career, distinguished by stark contrasts, from lighthearted tapestry cartoons to dark introspective Black Paintings, exemplified this sentiment. For Goya, light wasn't merely a tool for representation; it was a metaphorical lens through which he viewed the world around him. To him, light could reveal truths, showcase beauty, and provide clarity. Yet, the same light, when misused, could distract, blind, and even deceive.

Artists often face similar dichotomies in their path. Inspiration can strike us, illuminating our minds with ideas and visions, while at other times, overwhelming external influences can obscure our authentic voices. The balance between the two is delicate, and understanding the difference is pivotal. As we navigate our artistic endeavors, Goya's insight serves as a poignant reminder. We should strive for the light that reveals, the one that adds depth, nuance, and understanding, rather than the glaring distractions that may lead us astray. By doing so, we not only uphold the integrity of our work but also ensure that our artistic voice remains unadulterated and true.

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We hope to inspire your art with this wonderful quote and our interpretation along with our own one-of-a-kind portrait of Francisco de Goya..got to love it!