34x34 Vincent Pro Tahoe Canvas 7/8 Inch Deep #VT-3434

True 1:1 Square Proportion - 34x34 Size

34x34 is one of our Lost or uncommon Square Sizes.

The square is perhaps the most intriguing proportion, as it is root of all of the other proportions. It is commonly used in both photography and art. Squares are typically used as the center canvas of a triptych or as a single canvas hung at a 45° angle. The square proportion is long used with medium format professional cameras, and most photographs we see on websites and social media are based on square images. Since all sides of the canvas are the same length, your eye is drawn evenly across the surface of the painting creating a sense of harmony, balance, and a generally a pleasing visual experience. The square format is also a good choice for artists who focus on geometric shapes or patterns in their work, as the regularity of the square shape can help reinforce these elements. Some artists enjoy the challenge of working within the confines of a square format, as it forces them to think creatively resulting in intriguing compositions.

Explore other sizes in this same 1:1 aspect ratio:

4x4 • 5x5 • 6x6 • 7x7 • 8x8 • 9x9 • 10x10 • 12x12 • 14x14 • 16x16 • 18x18 • 20x20 • 22x22 • 24x24 • 30x30 • 32x32 • 36x36 • 40x40

Explore Related Products to this 34x34 Size:

• Acrylic Primed Cotton: Monterey™ • Carmel™ • Sausalito™ • Sierra™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Monet™ Pro 1.5 • 3D™ Pro 2.5

Tahoe™ 10oz Acrylic Primed Cotton

Strikes the perfect balance between medium & heavy weight cottons; substantially heavier than most widely available canvas, but it is supple and forgiving to the brush.

• 100% Cotton 10 oz.; Primed Weight 14.6 oz. per square yard
• Heavy Weight, Medium Weave, Medium Texture
• Sized and Triple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretched Canvas Frame.

• Stretcher Bar Profile produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Frames with a dimension of 16" and up have a groove machined in the center inside perimeter to which cross braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

34x34 Vincent Pro Frame Kit Extra Heavy Frame Provides Maximum Support

• Photo displays the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• Two super strong 1/2" thick keyable cross braces (3.25" wide) provide the maximum possible support for this 34x34 frame - Cross Braces may be removed and reinserted at any time
• An exclusive slot is milled on the inside perimeter of all of the Stretcher Bars to which the Braces and the expansion wedges attach
• Patented keyable cross braces allow the frame to be tensioned in the middle of the canvas, where the tension needed the most
• Cross braces firmly attached with hardware at the intersection point for maximum support and rigidity
• To increase canvas tension: 1) remove any staples in the corners and those that retain the brace keys in the middle, 2) tap all of the expansion keys further into their respective slots, 3) tighten and re-staple the canvas in the corners

Our Vincent™ Pro frames are quite robust and provide the maximum possible support for a 7/8" deep profile stretched canvas. This 34x34 size is rather large and is optimally displayed inside a picture frame. If you intend on hanging this canvas without a picture frame, in air-conditioned or dry environments, this product works great.

If your environment is high in humidity, the wood can absorb moisture and grow, and the canvas can contract, causing the canvas to become very tight and putting additional stress on the frame. Our frames tend to be over-built, but if you intend on hanging it on the wall without a picture frame, you might consider using a stronger canvas frame, like Monet™ Pro 1.5" deep, or 3D™ Pro 2.5" deep, which performs even better for this larger 34x34 size. For your consideration, we provide direct links to these products in the same Tahoe™ surface in the Explore Section above.

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Vincent™ Pro professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8", so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainability is about Reducing Deforestation

Choosing products made with sustainably sourced lumber is an important way for consumers to make a positive impact on the environment. By supporting sustainable forestry practices, we can help to reduce deforestation, promote biodiversity, and mitigate climate change. It's a simple and effective way to make a difference.

Specially Dried and Heat Treated Lumber

We source our wood from a select group of top-tier environmentally conscious lumber mills in the Pacific Northwest. These mills specially dry and heat-treat the lumber to our specifications, resulting in about half the moisture content compared to wood from typical home improvement centers or lumber yards. This process makes the wood stronger, reducing the likelihood of cracking, splitting, or warping. While the wood we use comes at a higher cost, it ensures a more dimensionally stable end product. This stability is crucial for crafting fine professional canvases that support your invaluable art over time.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Every artist's journey to greatness starts with a blank canvas. Since 1965, Masterpiece® has been the trusted companion in that journey, offering the finest canvases in North America. Your creativity, combined with our canvas, has the potential to turn into a priceless treasure. The choices you make today pave the way for tomorrow's legacy.

In my view, you cannot claim to have seen something until you have photographed it. ♦ Emile Zola

Émile Zola, often hailed for his riveting literary works, had a lesser-known but deeply significant bond with the world of visual arts, particularly photography. Living during a transformative era of both literature and art, Zola was among the few who delved into the emerging world of photography during the late 19th century. To him, photography was more than just a tool; it was a medium that encapsulated reality and truth. This perspective resonated with his literary principles, where he endeavored to present life as it truly was, without the mask of romanticism or exaggeration.

This quote sheds light on Zola's belief in the profound authenticity a photograph could offer. An artist might interpret this as an encouragement to depict their subjects with a raw and undistorted perspective, much like a photograph captures a moment in its unaltered state. Translating this philosophy to painting, an artist might feel that one hasn't truly seen or understood a subject until they've painted it, capturing its essence on canvas. It's a call to perceive deeply, to engage intimately with the subject, and to represent it with unerring authenticity.

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We love fanning the flames of your artistic passion. Immerse yourself in the wisdom of this intriguing quote and context, and enjoy our own unique creation of this portrait of Emile Zola. Paint your heart out!