16x16 3D Pro Vintage L21C Canvas 2-1/2" #DO-1616

True 1:1 Square Proportion - 16x16 Size

The 16x16 square size is a little less common but gaining in popularity.

The square is perhaps the most intriguing proportion, as it is root of all of the other proportions. It is commonly used in both photography and art. Squares are typically used as the center canvas of a triptych or as a single canvas hung at a 45° angle. The square proportion is long used with medium format professional cameras, and most photographs we see on websites and social media are based on square images. Since all sides of the canvas are the same length, your eye is drawn evenly across the surface of the painting creating a sense of harmony, balance, and a generally a pleasing visual experience. The square format is also a good choice for artists who focus on geometric shapes or patterns in their work, as the regularity of the square shape can help reinforce these elements. Some artists enjoy the challenge of working within the confines of a square format, as it forces them to think creatively resulting in intriguing compositions.

Explore other sizes in this same 1:1 aspect ratio:

6x6 • 7x7 • 8x8 • 9x9 • 10x10 • 12x12 • 14x14 • 18x18 • 20x20 • 22x22 • 24x24 • 30x30 • 32x32 • 34x34 • 36x36 • 40x40 • 42x42 • 48x48 • 54x54 • 60x60 • 72x72 • 76X76 • 80x80

Explore Related Products to this 16x16 Size:

• Alkyd / Oil Primed Linen: Malibu™ • Ventura™ • Versailles™ • Isola™ • Poitiers™
• Raw Unprimed Linen: Torrey Pines™ • Mandalay™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Grenoble™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™ • Shasta™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 3.5

Vintage™ L21C Oil Primed Artfix Linen

Artfix L21C oil primed Belgian Linen has a warm golden hue oil primer which is superb for oil and alkyd type paints. Excellent painting surface with qualities of luminosity. It has a medium tooth and texture. Our best selling oil primed canvas.

• 100% Belgian Linen 5 oz.; Primed Weight 13 oz. per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time.

3D™ Pro 2.5 Stretcher Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 2.5" deep stretched canvas (Actual depth is slightly thinner)
• 1.25" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

16x16 2.5" Deep Edge Heavy Frame Offers Maximum Support!

• Drawing depicts the exact frame construction, not the proportion
• 2.5" Deep Edge K2 Heavy Stretcher Bars are precision machined with a unique double tongue-and-groove corner joint that provides rock-solid torsional rigidity that resists warping or twisting, which is an important benefit for such a deep edge canvas
• No Brace Required for this size
• To increase canvas tension, remove any staples in the corners and tap all of the expansion keys further into their respective slots, then tension and re-staple the canvas in the corners

Our Ecosystem Depends on Healthy Forests

Forests play a vital role in our planet's ecosystem. They absorb carbon dioxide, filter air and water, and provide habitat for countless species of plants and animals. By using sustainably sourced lumber, we can help to protect these important ecosystems and ensure that they continue to provide these valuable services for generations to come.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

With over five decades of commitment, Masterpiece® stands as a testament to unrivaled canvas craftsmanship in North America. Choosing the right canvas is an investment not just in materials, but in the future value and longevity of your artwork. Make choices today that stand the test of time and reflect your dedication as an artist.

Painting is poetry that is seen rather than felt, and poetry is a painting that is felt rather than seen. ♦ Leonardo da Vinci

Leonardo da Vinci, a luminary of the Renaissance era, had an uncanny ability to intertwine different artistic mediums, effortlessly blending the visual and the verbal. This observation highlights the intimate relationship between painting and poetry, two domains of artistic expression that, though distinct in medium, are profoundly interconnected in essence.

Both painting and poetry seek to capture the ineffable — those fleeting moments, emotions, and ideas that are so often just beyond the reach of ordinary expression. For artists, a canvas becomes a realm where visual tales unfold, where colors and forms weave narratives as powerful as words. Yet, for poets, words are wielded like brushstrokes, evoking images and emotions in the mind's eye, often leaving a lasting impact that lingers long after the poem has ended.

In understanding da Vinci's perspective, we recognize that both painting and poetry offer unique lenses through which we can experience the world. Whether it's the profound depth found in a painting's silent gaze or the rhythmic dance of words in a poem, we, as appreciators and creators, are invited to a dance of senses, where seeing and feeling become beautifully intertwined.

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We curated this insightful quote by Leonardo da Vinci, and our interpretation thereof; plus we made this portrait in the spirit of creativity. Time to create your own expression!