16x16 3D Pro Vintage L21C Canvas 3-1/2" #TO-1616

True 1:1 Square Proportion - 16x16 Size

The 16x16 square size is a little less common but gaining in popularity.

The square is perhaps the most intriguing proportion, as it is root of all of the other proportions. It is commonly used in both photography and art. Squares are typically used as the center canvas of a triptych or as a single canvas hung at a 45° angle. The square proportion is long used with medium format professional cameras, and most photographs we see on websites and social media are based on square images. Since all sides of the canvas are the same length, your eye is drawn evenly across the surface of the painting creating a sense of harmony, balance, and a generally a pleasing visual experience. The square format is also a good choice for artists who focus on geometric shapes or patterns in their work, as the regularity of the square shape can help reinforce these elements. Some artists enjoy the challenge of working within the confines of a square format, as it forces them to think creatively resulting in intriguing compositions.

Explore other sizes in this same 1:1 aspect ratio:

6x6 • 8x8 • 10x10 • 12x12 • 14x14 • 18x18 • 20x20 • 22x22 • 24x24 • 30x30 • 36x36 • 40x40 • 42x42 • 48x48 • 54x54 • 60x60 • 72x72

Explore Related Products to this 16x16 Size:

• Alkyd / Oil Primed Linen: Malibu™
• Acrylic Primed Linen: Muir™ • Vintage L22U™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Sausalito™ • Sierra™ • Sierra™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 2.5

Vintage™ L21C Oil Primed Artfix Linen

Artfix L21C oil primed Belgian Linen has a warm golden hue oil primer which is superb for oil and alkyd type paints. Excellent painting surface with qualities of luminosity. It has a medium tooth and texture. Our best selling oil primed canvas.

• 100% Belgian Linen 5 oz.; Primed Weight 13 oz. per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time.

3D™ Pro 3.5 Stretcher Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 3.5" deep stretched canvas (Actual depth is slightly thinner)
• 1.25" wide Stretcher Bar
• All Bars have an exclusive groove on the inside perimeter of the frame to which cross braces and Diamond Corner Braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

No Finger Joints!

Solid Wood is far superior to finger jointed wood, which is many small pieces glued together, each with varying grain densities that absorb and shed moisture at varying rates, expanding and contracting non-uniformly as environmental conditions change, and causing the wood to bow and the finger joints to eventually fail.

A single homogeneous kiln-dried solid wood Stretcher Bar outperforms and outlasts a finger jointed Bar whose sole purpose is to save the manufacturer cost, not contribute to the archival value of artwork intended to last a millennium. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

16x16 3.5" Deep Edge Heavy Frame Offers Maximum Support!

• Drawing depicts the exact frame construction, not the proportion
• 3.5" Deep Edge K3 Heavy Stretcher Bars are precision machined with a unique double tongue-and-groove corner joint that provides rock-solid torsional rigidity that resists warping or twisting, which is an important benefit for such a deep edge canvas
• No Brace Required for this size
• To increase canvas tension, remove any staples in the corners and tap all of the expansion keys further into their respective slots, then tension and re-staple the canvas in the corners

Forests need People, and People Need Forests

Using lumber from sustainably managed forests is a way to support the health and well-being of our planet and its inhabitants. By choosing products made with sustainably sourced lumber, we can help to protect the environment, support local communities, and ensure a sustainable future for generations to come.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Since 1965, our passion for perfection has driven us at Masterpiece® to construct professional quality canvases that artists around the nation desire. All too often, other brands are more focused on saving cost and delivering less than adequate quality. However, we find that our customers not only desire fine quality, but they also tell us that their art is better for having painted on the exquisite canvases that we produce.

The instinct of imitation is implanted in man from childhood, one difference between him and other animals being that he is the most imitative of living creatures, and through imitation learns his earliest lessons. ♦ Aristotle

Aristotle, one of the most revered philosophers in history, was deeply invested in understanding human nature and the workings of the world around us. In this insightful observation, he taps into a foundational element of our being: the act of imitation. While all living creatures exhibit some form of mimicry or learning through observation, Aristotle posits that humans excel in this domain. It is through this innate ability to imitate that we begin our journey of understanding, long before we can articulate our thoughts or comprehend complex theories.

This instinctive drive for artists to imitate can be seen in the early stages of our careers when we draw inspiration from established masters, replicating their techniques and styles. This act of imitation is not merely a form of flattery; it's an essential stepping stone. By imitating, we internalize various skills and gradually, over time, find our unique voice. And while the initial stages of our art might be heavily influenced by those we admire, it's through this process that we eventually carve out a distinct path for ourselves. Thus, while imitation might be our starting point, innovation and individuality become our destination. Aristotle reminds us that imitation isn't a sign of weakness or lack of originality; it's a testament to our shared human experience and the foundational way in which we learn and engage with the world around us.

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We curated this empowering quote with some context and hope you find it insightful, plus we created this unique portrait of Aristotle to make it a bit more intriguing. Now get to work on your own!