8x13 Monet Pro Carmel Canvas 1-1/2" Deep #MC-0813

True Fibonacci Proportion - 8x13 Size

This special 8x13 size is part of the Fibonacci Series of intriguing sizes that are closely related to the Golden Mean. It's exact aspect ratio is 13:8 and is a truly unique and inspiring canvas size.

Explore other sizes in this same 13:8 aspect ratio:

5x8 • 13x21 • 21x34 • 34x55 • 55x89

Explore Related Products to this 8x13 Size:

• Acrylic Primed Cotton: Monterey™ • Tahoe™ • Sausalito™ • Sierra™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™
• Raw Unprimed Cotton: Raw No 12 • Raw No 10 • Raw No 8
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Hardcore Canvas Panel: Carmel™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5 • 3D™ Pro 3.5

Carmel™ 7oz Portrait Smooth Cotton

Very smooth surface texture for fine detailed type work, but still has enough texture to grip the paint.

• 100% Cotton 7 oz.; Primed Weight 10.3 oz. per square yard
• Medium Weight, Medium Weave, Portrait Smooth Texture
• Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

8x13 Monet Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 10" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 20", but this frame provides very robust and solid support for this 8x13 size frame

Tree Replanting - Essential to Sustainably Managed Forests

Harvesting timber provides humans with an essential natural resource, but replanting trees at a rate higher than a harvest is a key component in humanity's effort to guarantee a healthy forest for the future. Increasing our number of trees is just as essential to our economy, as the harvest itself, which is why we select only timber harvested from responsibly managed forests.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

When you hold a Masterpiece® Monet™ Pro canvas in your hand, you can immediately sense the quality materials, workmanship and design of this very fine canvas, as will those who will ultimately acquire your art. The colors and canvas you select becomes the foundation of your painting. Your reputation depends upon the quality of your artwork and the integrity of your material choices. Savvy art buyers and art enthusiasts place a higher value on artwork made with quality materials because they expect their investment in your art will last hundreds, if not a thousand years. Using the best materials is a great investment in your own legacy and your brand.

One should never meet an artist whose work one admires; the artist is always so much less than his work. ♦ Henri de Toulouse-Lautrec

Henri de Toulouse-Lautrec's words provide a compelling window into the intricacies of artistic identity. A key figure in the bohemian art scene of Paris during the Belle Époque, Lautrec mingled with countless artists, performers, and enthusiasts. Within these interactions, he recognized a dichotomy: the often vast gulf between the creator and the creation.

In our art careers, we strive to translate our deepest emotions, insights, and visions onto the canvas or into whatever medium we choose. The results can be intense, profound, and sometimes larger than life. Yet, as individuals, we grapple with vulnerabilities, imperfections, and moments of self-doubt. Meeting someone who has touched our souls through their work can sometimes lead to a surprising dissonance. However, it's essential to understand that both the work and its creator have value in their distinct capacities. We must appreciate and recognize that our imperfections and idiosyncrasies often become the catalyst for our most evocative work.

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Art is visual and ripe with meaning, so enjoy this quote and our interpretation of its meaning, plus an one-of-a-kind portrait we created of Henri de Toulouse-Lautrec to make it all the more relevant. Pick up that brush and go!