8x13 Monet Pro Raw No 8 Canvas 1-1/2" Deep #MRE-0813

True Fibonacci Proportion - 8x13 Size

This special 8x13 size is part of the Fibonacci Series of intriguing sizes that are closely related to the Golden Mean. It's exact aspect ratio is 13:8 and is a truly unique and inspiring canvas size.

Explore other sizes in this same 13:8 aspect ratio:

5x8 • 13x21 • 21x34 • 34x55 • 55x89

Explore Related Products to this 8x13 Size:

• Raw Unprimed Cotton: Raw No 12 • Raw No 10
• Raw Unprimed Linen: Mono Lake™ • Torrey Pines™ • Mandalay™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Sausalito™ • Sierra™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 2.5 • 3D™ Pro 3.5

Raw #8 Cotton 18 oz Unprimed

Super heavy weight unprimed canvas. Take control of your art, prepare your own ground, or use bare canvas expanses as part of the art. Great for staining or pouring, resulting in a fluid and spontaneous convergence of the image and fabric.

• 100% Cotton 18 oz. per square yard
• Super Heavy Weight, Dense Weave, Robust Texture

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

8x13 Monet Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 10" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 20", but this frame provides very robust and solid support for this 8x13 size frame

Sustainably Managed Forests

We use lumber grown in the sustainable forests of the Oregon, Washington, and California, where there’s more standing timber today than last century! Our forests purify the air, provide oxygen, and reduce global warming. More trees are needed on this planet, not fewer. Therefore, we use lumber grown in responsibly managed forests, so future generations can benefit from our collective responsible actions today.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Celebrating a rich legacy since 1965, Masterpiece® is the gold standard for artist canvases in North America. Every canvas is a potential magnum opus, a union of creativity and quality materials that can transcend time. Your choices today impact your art's tomorrow, so invest in the best for a lasting legacy.

There are two kinds of light - the glow that illumines, and the glare that obscures. ♦ Francisco de Goya

Francisco de Goya, celebrated as both the last of the Old Masters and the first of the moderns, was no stranger to the dualities of life. His art career, distinguished by stark contrasts, from lighthearted tapestry cartoons to dark introspective Black Paintings, exemplified this sentiment. For Goya, light wasn't merely a tool for representation; it was a metaphorical lens through which he viewed the world around him. To him, light could reveal truths, showcase beauty, and provide clarity. Yet, the same light, when misused, could distract, blind, and even deceive.

Artists often face similar dichotomies in their path. Inspiration can strike us, illuminating our minds with ideas and visions, while at other times, overwhelming external influences can obscure our authentic voices. The balance between the two is delicate, and understanding the difference is pivotal. As we navigate our artistic endeavors, Goya's insight serves as a poignant reminder. We should strive for the light that reveals, the one that adds depth, nuance, and understanding, rather than the glaring distractions that may lead us astray. By doing so, we not only uphold the integrity of our work but also ensure that our artistic voice remains unadulterated and true.

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With an artist's spirit and a modern touch, we bring you this hand-selected quote and provide context to its meaning. To tie it all together, we include our own one-of-a-kind portrayal of Francisco de Goya. Now let your colors flow!