9x12 Monet Pro Sierra Canvas 1-1/2" Deep #ME-0912

True 4:3 Cinema Proportion - 9x12 Size

And not to mention that is the one of the most popular artistic sizes ever!

Explore other sizes in this same 4:3 aspect ratio:

6x8 • 12x16 • 15x20 • 18x24 • 21x28 • 24x32 • 27x36 • 30x40 • 33x44 • 36x48 • 39x52 • 42x56 • 45x60 • 48x64 • 51x68 • 54X72 • 57x76 • 60x80 • 63x84 • 66x88 • 69x92 • 72x96

Explore Related Products to this 9x12 Size:

• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Sausalito™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Grenoble™ • Pau™
• Raw Unprimed Cotton: Raw No 12 • Raw No 10 • Raw No 8
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5 • 3D™ Pro 3.5

Sierra™ 11.5oz Acrylic Primed Cotton

Heavy weight and body with a delightful medium tooth and texture; great for heavy paint applications and impasto.

• 100% Cotton 11.5 oz.; Primed Weight 14.6 oz. per square yard
• Heavy Weight, Medium Weave, Medium Texture
• Sized and Triple Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

9x12 Monet Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 10" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 20", but this frame provides very robust and solid support for this 9x12 size frame

Forests need People, and People Need Forests

Using lumber from sustainably managed forests is a way to support the health and well-being of our planet and its inhabitants. By choosing products made with sustainably sourced lumber, we can help to protect the environment, support local communities, and ensure a sustainable future for generations to come.

MuseumWrap™ Stretching Technique

With more than 60 years of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

For more than 60 years, Masterpiece® has been synonymous with top-tier artist canvases in North America. A canvas isn't just fabric; it's an invitation to create, to turn raw talent into timeless art. Choose wisely, for your art's endurance reflects your legacy and brand distinction.

Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. ♦ Wassily Kandinsky

Wassily Kandinsky's perception of art and color transcended the boundaries of mere visual aesthetics. He viewed art as a synthesis of senses and emotions, an orchestration of visuals that resonates within the very core of our beings. A pioneer of abstract art, Kandinsky's fascination with color was more than just a preference; it was an intrinsic part of his art career. He believed in the emotive power of colors, how they could evoke certain feelings and states of mind.

Like a musician creating a symphony, the artist manipulates colors to evoke emotions, memories, and even spiritual experiences. For many of us, the palette is our instrument, and each shade and tint is a note, a chord, waiting to be played. But it isn't just about colors or forms; it's about how they make the viewer feel. Kandinsky's perspective challenges us to view our creations not merely as visual entities but as experiences, as melodies and rhythms that play upon the strings of the soul.

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We hope you will be inspired by the wisdom, and our interpretation thereof, of Wassily Kandinsky, plus we made this unique little portrait to begin the creative process. Time to start your creative process!