15x20 Monet Pro Raw No 10 Canvas 1-1/2" Deep #MRT-1520

True 4:3 Cinema Proportion - 15x20 Size

It's also unusual to see sizes that are divisible by 5 that are the little sister to an 18x24, kind of cool!

Explore other sizes in this same 4:3 aspect ratio:

6x8 • 9x12 • 12x16 • 18x24 • 21x28 • 24x32 • 27x36 • 30x40 • 33x44 • 36x48 • 39x52 • 42x56 • 45x60 • 48x64 • 51x68 • 54X72 • 57x76 • 60x80 • 63x84 • 66x88 • 69x92 • 72x96

Explore Related Products to this 15x20 Size:

• Raw Unprimed Cotton: Raw No 12 • Raw No 8
• Raw Unprimed Linen: Mono Lake™ • Torrey Pines™ • Mandalay™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Vincent™ Pro 7/8 • Monet™ Pro 1.5 • 3D™ Pro 2.5

Raw #10 Cotton 14.5 oz Unprimed

Very heavy weight unprimed cotton canvas. Take control of your art, prepare your own ground, or use bare canvas expanses as part of the art. Great for staining or pouring, resulting in a fluid and spontaneous convergence of the image and fabric.

• 100% Cotton 14.5 oz. per square yard
• Very Heavy Weight, Dense Weave, Robust Texture

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Frames with a dimension of 20" and up have a groove machined in the center inside perimeter to which cross braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

15x20 Monet Pro Keyable Braced Frame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined heavy duty keyable tongue-and-groove Stretcher Bars
• A 3/4" thick keyable brace (1.5" wide) provides sturdy support for this 15x20 size frame - Brace may be removed in reinserted at any time
• An exclusive slot is milled on the inside perimeter of the 20 Stretcher Bars to which the Brace and the expansion wedges attach
• Patented keyable brace allows the frame to be tensioned in the middle of the canvas, where the tension needed the most
• To increase canvas tension: 1) remove any staples in the corners and those that retain the brace keys in the middle, 2) tap all of the expansion keys further into their respective slots, 3) tighten and re-staple the canvas in the corners

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Monet™ Pro professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainably Managed Forests Purify the Air

Our forests purify the air by filtering nearly 40% of the fossil fuel emissions humans create, and are critical to reducing global warming. More trees are needed on this planet, not fewer, for our own healthy human survival. Therefore, we use lumber grown in responsibly managed forests, so future generations can benefit from our responsible actions today.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Since 1965, our passion for perfection has driven us at Masterpiece® to construct professional quality canvases that artists around the nation desire. All too often, other brands are more focused on saving cost and delivering less than adequate quality. However, we find that our customers not only desire fine quality, but they also tell us that their art is better for having painted on the exquisite canvases that we produce.

The model is always right. ♦ Henri de Toulouse-Lautrec

A master of Post-Impressionist painting, Henri de Toulouse-Lautrec frequented the spirited cabarets and theaters of Montmartre. His artworks captured the essence of the characters he portrayed, from celebrated singers to everyday people. When he says, The model is always right, he was expressing a deep respect for authenticity and the raw, unfiltered truth that models brought to his canvas.

This sentiment serves as a poignant reminder. It's easy to get caught up in our own interpretations or stylistic preferences, but true artistry often lies in capturing the authenticity of our subjects. Just as Lautrec celebrated the unique idiosyncrasies of his models, we too should embrace the beauty in the unrefined and the genuine. Whether it's the curve of a cheekbone, the arch of an eyebrow, or the story in someone's eyes, the model brings a truth that we are entrusted to convey on the canvas. In doing so, we not only honor our subjects but also bring greater depth and dimension to our work.

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Embrace the synergy of this profound quote with our interpretation of it's meaning with a nice little portrait that we created of Henri de Toulouse-Lautrec. Time to create!