10x10 Monet Pro Santa Cruz Canvas 1-1/2" Deep #MZ-1010

True 1:1 Square Proportion - 10x10 Size

10x10 is one of our most desirable square sizes.

The square is perhaps the most intriguing proportion, as it is root of all of the other proportions. It is commonly used in both photography and art. Squares are typically used as the center canvas of a triptych or as a single canvas hung at a 45° angle. The square proportion is long used with medium format professional cameras, and most photographs we see on websites and social media are based on square images. Since all sides of the canvas are the same length, your eye is drawn evenly across the surface of the painting creating a sense of harmony, balance, and a generally a pleasing visual experience. The square format is also a good choice for artists who focus on geometric shapes or patterns in their work, as the regularity of the square shape can help reinforce these elements. Some artists enjoy the challenge of working within the confines of a square format, as it forces them to think creatively resulting in intriguing compositions.

Explore other sizes in this same 1:1 aspect ratio:

4x4 • 5x5 • 6x6 • 7x7 • 8x8 • 9x9 • 12x12 • 14x14 • 16x16 • 18x18 • 20x20 • 22x22 • 24x24 • 30x30 • 32x32 • 34x34 • 36x36 • 40x40 • 45x45 • 48x48 • 54x54 • 60X60 • 72X72

Explore Related Products to this 10x10 Size:

• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Saint-Cloud™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Alkyd / Oil Primed Linen: Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Hardcore Canvas Panel: Santa Cruz™
• Vincent™ Pro 7/8 • 3D™ Pro 2.5

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Santa Cruz™ Acrylic Primed Belgian Linen

This strong and fine weave linen has more of an even tooth is a great all-around great quality painting surface. It has a bright white tone.

• 100% Belgian Linen 7 oz.; Primed Weight 11.3 oz. per square yard
• Medium Heavy Weight, Fine Weave, Fine Texture
• Double Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time.

Titanium Dioxide (TiO₂) Primer Pigment

This primer contains premium-grade Titanium Dioxide (TiO₂) white pigment, renowned for its exceptional performance in acrylic priming. Its standout feature is its enduring whiteness, coupled with remarkable flexibility that persists over time. In contrast to other pigments such as zinc dioxide, Titanium Dioxide maintains its resilience, preventing brittleness as it ages. This quality ensures that artworks retain their integrity and will stand the test of time.

Monet™ Pro 1.5" Deep Bar • 1/2" Canvas Clearance

1/2" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 1.5" deep stretched canvas (Actual depth is slightly thinner)
• 1-5/8" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

10x10 Monet Pro Keyable Fame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined heavy duty keyable tongue-and-groove Stretcher Bars
• No cross braces required when the frame length is under 20", but this frame provides robust support for this 10x10 size
• To increase canvas tension, remove any staples in the corners, then tap-in the included corner keys further into their slots, then re-staple the canvas

Sustainable Forests - A Precious Natural Resource

The air that we breathe depends upon our healthy forests the world over. For this reason, we only use lumber from the sustainable forests of the Pacific Northwest, so we can guarantee that our nation's precious natural timber resources are available for future generations.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

The canvas you select becomes the foundation of your painting and will forever be, so choose your substrates wisely. Savvy art buyers and art enthusiasts place a higher value on artwork made with quality materials because they expect their investment in your art will be a lasting testament to your brand and legacy.

I don't believe in art schools. I believe in individual artistic education, without professors. ♦ Paul Gauguin

Paul Gauguin, with his characteristic audacity, boldly proclaims a sentiment that might be considered radical, especially in the academic circles of his time. Driven by an untamed spirit and a profound belief in the intrinsic value of self-discovery, Gauguin's life was defined by his unwavering pursuit of authenticity in art.

While institutional education has its merits, offering structured guidance and a communal environment, Gauguin's assertion highlights the undeniable power of self-directed exploration. For many artists, the path to mastery is a deeply personal one, often characterized by moments of introspection and individual experimentation. After all, art is an extension of the self, a manifestation of our unique perspectives and emotions. By bypassing traditional education, we have the liberty to chase our own curiosities, to make mistakes and learn from them, and ultimately, to find our voice in an unfiltered manner.

In an age where information is abundantly available, the idea of self-education isn't as far-fetched as it once might have been. Artists today can access a wealth of knowledge, drawing inspiration from global sources and various epochs. But Gauguin's words remind us of the importance of cultivating our intuition and trusting our instincts. The crux of his message is not to shun all formal learning but to recognize and champion the unparalleled growth that arises when we, as artists, take the reins of our own artistic education.

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Echoing the timeless spirit of artistry, we bring you this quote paired with our beautiful portrait of Paul Gauguin that we created. Let your colors on the canvas speak!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.