5x8 Vincent Pro Saint-Cloud Canvas 7/8 Inch Deep #VD-0508

True Fibonacci Proportion - 5x8 Size

This special 5x8 size is part of the Fibonacci Series of intriguing sizes that are closely related to the Golden Mean. It's exact aspect ratio is 8:5 and is a truly unique and inspiring canvas size.

Check-out one of these other sizes in the same 8:5 aspect ratio:

8x13 • 13x21 • 21x34

Explore Related Products to this 5x8 Size:

• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Vintage L22U™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Hardcore Canvas Panel: Saint-Cloud™
• Monet™ Pro 1.5

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

5x8 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 5x8 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Tree Replanting - Essential to Sustainably Managed Forests

Harvesting timber provides humans with an essential natural resource, but replanting trees at a rate higher than a harvest is a key component in humanity's effort to guarantee a healthy forest for the future. Increasing our number of trees is just as essential to our economy, as the harvest itself, which is why we select only timber harvested from responsibly managed forests.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

For over half a century, Masterpiece® has been synonymous with top-tier artist canvases in North America. A canvas isn't just fabric; it's an invitation to create, to turn raw talent into timeless art. Choose wisely, for your art's endurance reflects your legacy and brand distinction.

To advise is not to compel. ♦ Anton Chekhov

A master of human observation and nuance, Anton Chekhov characterized the fine distinction between guiding and forcing with this concise wisdom. His tales often illustrate the complexities of human relationships and the fine line between suggestion and imposition. In the world of art, this resonates as a fundamental truth. Offering guidance or sharing artistic perspectives is an integral part of our community; however, the distinction remains that every artist must ultimately forge their own path.

It is easy to become inundated with feedback, advice, and critiques. While others provide valuable perspectives and insights, the act of creation remains deeply personal. It is up to us to decipher which counsel aligns with our vision and which might lead us astray. Chekhov's words serve as a reminder that advice, no matter how well-intentioned, should never override our authentic voice or dictate the direction of our creative endeavors.

---

With a nod to Anton Chekhov, we present these words of wisdom and our own custom crafted portrait. Let this fusion stoke your creative fires. Dive into your art!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.