5x8 Vincent Pro Vintage L21C Canvas 7/8 Inch Deep #VO-0508

True Fibonacci Proportion - 5x8 Size

This special 5x8 size is part of the Fibonacci Series of intriguing sizes that are closely related to the Golden Mean. It's exact aspect ratio is 8:5 and is a truly unique and inspiring canvas size.

Check-out one of these other sizes in the same 8:5 aspect ratio:

8x13 • 13x21 • 21x34

Explore Related Products to this 5x8 Size:

• Oil Primed Linen: Versailles™ • Poitiers™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5

Vintage™ L21C Oil Primed Artfix Linen

• 100% Belgian Linen 5 oz; Primed Weight 13 oz per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

5x8 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 5x8 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Sustainably Managed Forests

We use lumber grown in the sustainable forests of the Oregon, Washington, and California, where thereÕs more standing timber today than last century! Our forests purify the air, provide oxygen, and reduce global warming. More trees are needed on this planet, not fewer. Therefore, we use lumber grown in responsibly managed forests, so future generations can benefit from our collective responsible actions today.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Every artist's journey to greatness starts with a blank canvas. Since 1965, Masterpiece® has been the trusted companion in that journey, offering the finest canvases in North America. Your creativity, combined with our canvas, has the potential to turn into a priceless treasure. The choices you make today pave the way for tomorrow's legacy.

There is the immeasurable distance between late work of Beethoven and the music of a Renaissance lutanist. ♦ James Whistler

Known primarily for his avant-garde paintings, James Whistler often exhibited an acute sensitivity to the nuances of art, whether it be visual or auditory. His observation on the contrast between the evocative compositions of Beethoven and the delicate harmonies of a Renaissance lutanist is a testament to his appreciation of the diverse tapestry of artistic evolution. It was not just a remark on the difference in eras but an insight into the ever-evolving nature of creative expression.

Art is a reflection of the times and societies that birthed it. Just as Beethoven's music captured the profound emotions and tumult of his time, the Renaissance lutanists encapsulated the refined elegance of theirs. For artists, we witness, contribute to, and are shaped by the shifting landscapes of art's vast continuum. This awareness, this acknowledgment of the vastness and variety of art's legacy, can inspire us to carve out our own niche, understanding that our work, too, will one day be a part of this grand tapestry of artistic evolution.

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We hope you will be inspired by the wisdom, and our interpretation thereof, of James Whistler, plus we made this unique little portrait to begin the creative process. Time to start your creative process!