16x16 Vincent Pro Mandalay Canvas 7/8 Inch Deep #VMA-1616

True 1:1 Square Proportion - 16x16 Size

The 16x16 square size is a little less common but gaining in popularity.

The square is perhaps the most intriguing proportion, as it is root of all of the other proportions. It is commonly used in both photography and art. Squares are typically used as the center canvas of a triptych or as a single canvas hung at a 45° angle. The square proportion is long used with medium format professional cameras, and most photographs we see on websites and social media are based on square images. Since all sides of the canvas are the same length, your eye is drawn evenly across the surface of the painting creating a sense of harmony, balance, and a generally a pleasing visual experience. The square format is also a good choice for artists who focus on geometric shapes or patterns in their work, as the regularity of the square shape can help reinforce these elements. Some artists enjoy the challenge of working within the confines of a square format, as it forces them to think creatively resulting in intriguing compositions.

Explore other sizes in this same 1:1 aspect ratio:

4x4 • 5x5 • 6x6 • 7x7 • 8x8 • 9x9 • 10x10 • 12x12 • 14x14 • 18x18 • 20x20 • 22x22 • 24x24 • 30x30 • 32x32 • 34x34 • 36x36 • 40x40

Explore Related Products to this 16x16 Size:

• Raw Unprimed Linen: Mono Lake™ • Torrey Pines™
• Raw Unprimed Cotton: Raw No 12
• Acrylic / Oil Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Grenoble™ • Pau™ • Malibu™ • Vintage L21C™ • Ventura™ • Versailles™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5 • 3D™ Pro 2.5

Raw Mandalay™ Belgian Linen 11.6 oz Unprimed

Very heavy weight linen and very tightly woven. Take control of your art by preparing your own ground on Belgian Linen canvas. Use bare expanses of canvas as part of the painting or simply create the ground exactly ask you like.

• 100% Belgian Linen 11.6 oz per square yard
• Very Heavy Weight, Tight Weave, Coarse Texture
• Raw fabric blocks 95% of the light, which indicates how tight is the weave
• Warp and Weft: 31x33 yarns per square inch
• Linen has natural oils that prevent disintegration over time

16x16 Vincent Pro Keyable Cross Braced Frame

• Photo displays the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• Two 1/2" thick keyable cross braces (1.5" wide) provide excellent frame support for this 16x16 size - Cross braces may be removed and reinserted at any time
• An exclusive slot is milled on the inside perimeter of all of the Stretcher Bars to which the Braces and the expansion wedges attach
• Patented keyable cross braces allow the frame to be tensioned in the middle of the canvas, where the tension needed the most
• Cross braces firmly attached with hardware at the intersection point for maximum support and rigidity

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretched Canvas Frame.

• Stretcher Bar Profile produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Frames with a dimension of 16" and up have a groove machined in the center inside perimeter to which cross braces attach
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Cross Braces Make it Tighter

A tightly stretched canvas on an un-braced frame overpowers the Stretcher Bars causing them to bow inward and thereby lose tension. Sometimes that bow can expose a space in picture frames.

When a canvas is stretched on a properly supported frame, the cross-braces prevent the Bars from bowing thereby achieving maximum canvas tension. To increase the canvas tension even more, simply tap the corner and brace keys further in their slots. Properly supported frames provide you with the control over the canvas tension of your canvas and painting.

Sustainable Forests - A Precious Natural Resource

The air that we breathe depends upon our healthy forests the world over. For this reason, we only use lumber from the sustainable forests of the Pacific Northwest, so we can guarantee that our nation's precious natural timber resources are available for future generations.

Canvas Tension is in Your Control

In dry climates or air conditioned environments, the lack of moisture in the air causes wood frames to shrink and the canvas fibers to narrow and elongate making the canvas more slack and resulting in a loss of canvas tension. In some instances, the canvas could have waves on the surface resulting in an unsightly viewing experience.

Our Vincent™ Pro professional frames provide the functionality for you to slightly expand the size of the frame in the corners and the middle of the canvas, thereby increasing canvas tension all across the surface. The difference between a loose canvas and a tight canvas is just 1/8" of an inch, so a small adjustment using our corner and brace keys makes an important difference in canvas tension.

• Helps to prevent waves that occur in a loose canvas
• Increase canvas tension by tapping-in the corner and brace keys
• True professional class canvases make it possible for you to adjust the canvas tension

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

For over half a century, Masterpiece® has been synonymous with top-tier artist canvases in North America. A canvas isn't just fabric; it's an invitation to create, to turn raw talent into timeless art. Choose wisely, for your art's endurance reflects your legacy and brand distinction.

I have always been a pencil. ♦ Henri de Toulouse-Lautrec

In the bustling milieu of the late 19th-century Montmartre, where bohemians and innovators coalesced, Henri de Toulouse-Lautrec distinguished himself not just with his provocative art but also with his profound self-awareness. I have always been a pencil is a deceptively simple assertion, revealing much about Lautrec's perception of himself and his place within the art world. For him, the pencil wasn't just an instrument—it was an extension of his very being.

As we immerse ourselves in our craft, the tools we employ become integral to our expression. They are not just inanimate objects, but vehicles through which our innermost thoughts, feelings, and visions flow. Lautrec's analogy reminds us of the symbiotic relationship between an artist and their medium. In every stroke, shading, or line, there's a piece of us. There's a tool that becomes so innate to our own artistic process that it feels like an extension of our very selves, just as the pencil was for Lautrec. In acknowledging this, we embrace the intimate dance between our souls and the art we produce.

---

With a nod to Henri de Toulouse-Lautrec, we present these words of wisdom and our own custom crafted portrait. Let this fusion stoke your creative fires. Dive into your art!