5x6 Vincent Pro Vintage L21C Canvas 7/8 Inch Deep #VO-0506

True 6:5 Almost Square Proportion - 5x6 Size

Explore other sizes in this same 6:5 aspect ratio:

10x12 • 20x24 • 30x36 • 15x18 • 25x30 • 40x48 • 35x42

Explore Related Products to this 5x6 Size:

• Oil Primed Linen: Versailles™ • Poitiers™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5

Vintage™ L21C Oil Primed Artfix Linen

• 100% Belgian Linen 5 oz; Primed Weight 13 oz per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

5x6 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 5x6 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Sustainable Forests - A Precious Natural Resource

The air that we breathe depends upon our healthy forests the world over. For this reason, we only use lumber from the sustainable forests of the Pacific Northwest, so we can guarantee that our nation's precious natural timber resources are available for future generations.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

With over five decades of commitment, Masterpiece® stands as a testament to unrivaled canvas craftsmanship in North America. Choosing the right canvas is an investment not just in materials, but in the future value and longevity of your artwork. Make choices today that stand the test of time and reflect your dedication as an artist.

When a person is born, he can embark on only one of three roads of life: if you go right, the wolves will eat you; if you go left, you'll eat the wolves; if you go straight, you'll eat yourself. ♦ Anton Chekhov

Anton Chekhov, a master of human nature and subtlety in his literature, presents us with an allegory of the paths life offers. Born in a Russia undergoing significant change, Chekhov experienced the complexities of existence from both the life of a physician and that of a playwright. His understanding of life's roads is not just a product of his fertile imagination, but also a distillation of his lived experiences and observations.

For artists, the interpretation of these three paths is as intricate as the layers of paint on a canvas. The first path speaks to external challenges, reminding us that at times the world can feel predatory, poised to consume our ambitions. The second highlights our agency, our power to take control and, sometimes, dominate or subdue our surroundings. But it is the third path that may speak the loudest to our collective soul. To eat oneself is to engage in self-reflection, self-critique, and sometimes self-doubt. It is within this introspective realm that we artists often find our most profound inspiration, even though the process can be consuming. While we navigate these roads, it's essential to recognize the interconnectedness of our paths, drawing strength from each phase, challenge, and triumph. The key, perhaps, is to balance the introspection with the world's realities, crafting a unique trajectory that captures the essence of our individual and shared experiences.

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Art is visual and ripe with meaning, so enjoy this quote and our interpretation of its meaning, plus an one-of-a-kind portrait we created of Anton Chekhov to make it all the more relevant. Pick up that brush and go!