10x14 Vincent Pro Santa Cruz Canvas 7/8 Inch Deep #VZ-1014

True 7:5 Photography Proportion - 10x14 Size

For an uncommon size, artists do tend to appreciate and use this intriguing 10x14 size. It's also considered to be a Dynamic Root-2 Rectangle size.

Another widely used proportion in photography is the 7:5 aspect ratio, but is relatively uncommon in art, save for the 5x7 size. It is commonly accepted as a pleasing proportion. Some artists choose this proportion to add visual interest by breaking away from more traditional shaped canvas sizes. There are only a handful of standard canvas sizes in this ratio, but there are a whole collection of (what we call) Lost Sizes in this aspect ratio, which are often unknown sizes that add intrigue to the final composition.

Explore other sizes in this same 7:5 aspect ratio:

5x7 • 15x21 • 20x28 • 25x35 • 30x42

Explore Related Products to this 10x14 Size:

• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Vintage L22U™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Hardcore Canvas Panel: Santa Cruz™
• Monet™ Pro 1.5 • 3D™ Pro 2.5

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Santa Cruz™ Acrylic Primed Belgian Linen

• 100% Belgian Linen 7 oz; Primed Weight 11.3 oz per square yard
• Medium Heavy Weight, Fine Weave, Fine Texture
• Double Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

10x14 Vincent Pro Keyable Fame

• Drawing depicts the exact frame construction, not the proportion
• Precision machined medium duty keyable tongue-and-groove Stretcher Bars
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 10x14 size frame
• To increase canvas tension, remove any staples in the corners, then tap-in the included corner keys further into their slots, then re-staple the canvas

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Solid Wood is Archival - Finger Jointed Wood is Not

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers make are part of the archival process.

The principal reason manufactures use finger jointed wood is reduce cost, not increase archival value. Wood constantly grows and shrinks when the environment becomes hotter, or colder, or more humid, or more dry. Because finger jointed wood is made-up of multiple and varied pieces of wood, with varying grain patterns and densities, they each absorb and shed moisture at varying rates, which works on the glue joints that hold them together, causing the wood to bow and the joints to eventually fail, and certainly not consistent with increasing the archival value of your artwork frame support.

As a manufacturer, we do our part to conserve as much wood as possible, and still provide a quality made product that will out-perform any other in the marketplace.

Sustainability is about Reducing Deforestation

Choosing products made with sustainably sourced lumber is an important way for consumers to make a positive impact on the environment. By supporting sustainable forestry practices, we can help to reduce deforestation, promote biodiversity, and mitigate climate change. It's a simple and effective way to make a difference.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

The canvas you choose is the foundation for your painting, but also serves as symbol of the quality that you as an artist stand for, and reflect on your own brand. Masterpiece® serves as your silent partner to create your next masterpiece. You "wow" them from the front, while we "wow" them from behind.

In my opinion, old painters did not succeed in portraying truth because they did not go about it directly. They rendered the effects instead of the things. They proceeded from man to nature instead of going from nature to man. ♦ Emile Zola

Emile Zola, primarily recognized for his literary contributions, often engaged in discussions about art, particularly given his association with the Impressionist movement. His insight here touches upon a profound shift in how artists perceived and portrayed the world around them.

The classical approach, as Zola observed, often prioritized idealized forms and symbols. This tradition saw nature through the lens of human interpretation, sometimes diluting the raw, untamed beauty of the natural world. Zola championed a more direct approach, suggesting that to capture the genuine essence of a subject, artists needed to start with nature itself. In essence, we should let nature guide our hand and our perceptions, not the other way around.

For contemporary artists, this perspective remains a powerful reminder. As we approach our subjects, be it landscapes, portraits, or abstract forms, we must strive to see beyond our preconceptions. By allowing nature, in its unfiltered state, to shape our interpretations, we invite a more authentic, undiluted truth into our art, forging a connection that speaks not just to us, but through us.

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Art is visual and ripe with meaning, so enjoy this quote and our interpretation of its meaning, plus an one-of-a-kind portrait we created of Emile Zola to make it all the more relevant. Pick up that brush and go!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.