4x8 Vincent Pro Muir Canvas 7/8 Inch Deep #VA-0408

True 2:1 Domino Proportion - 4x8 Size

An intriguing Domino size!

The 2:1 aspect ratio, that we call the domino proportion, also offers a unique canvas for artists to play with the perception of space and depth within their compositions. The elongated format allows for the inclusion of foreground, middle ground, and background elements, creating a sense of distance and scale that draws the viewer's eye into the artwork. This aspect ratio has been used by artists throughout history, from ancient Egyptian tomb paintings to Renaissance frescoes to contemporary photography. Its versatility and timelessness make it a classic choice for artists seeking to create dynamic and engaging compositions.

Explore other sizes in this same 2:1 aspect ratio:

20x40 • 6x12 • 8x16 • 10x20 • 12x24 • 15x30 • 18x36 • 24x48 • 5x10 • 7x14 • 9x18 • 14x28 • 16x32 • 22x44

Explore Related Products to this 4x8 Size:

• Acrylic Primed Linen: Vintage L22U™ • Santa Cruz™ • Vintage L22U™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Hardcore Canvas Panel: Muir™
• Monet™ Pro 1.5

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Muir™ Acrylic Primed Belgian Linen

• 100% Belgian Linen 5 oz; Primed Weight 12 oz per square yard
• Medium Weight, Open Weave, Textured Surface
• Double Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

4x8 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 4x8 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Sustainable Environment Promotes a Sustainable Economy

The use of lumber from sustainably managed forests is not only environmentally responsible, it also helps to support the economy and preserve jobs in the forestry industry. By choosing products made with sustainably sourced lumber, consumers can help to ensure that these industries remain strong and sustainable for years to come.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

We've pioneered and set trends, always putting quality at the forefront of everything we do. Our patents are a testament to our continuous quest for excellence. Engage with our products, and you'll not only see but feel the premium difference — a difference that your audience and patrons will undoubtedly recognize and value.

One can't paint New York as it is, but rather as it is felt. ♦ George Inness

George Inness's statement reflects a sentiment shared by many artists who have tried to capture the essence of a place or moment. New York, a city of towering skyscrapers, bustling streets, and diverse cultures, is not just an assemblage of buildings and people. It is an emotion, a sensation, a whirlwind of experiences that can't be pinned down by mere lines and colors.

When artists attempt to depict such a dynamic entity, it becomes imperative to go beyond the obvious. It's about capturing the pulse, the energy, the very soul of the city. Just as Inness painted landscapes imbued with atmospheric emotions, when it comes to places like New York, we, too, must delve deep into our personal experiences and feelings. It's not just about reproducing a skyline or a street corner but evoking the memories, sounds, and sensations that define it for us. It's a reminder that art is not mere replication; it's a reflection of our internal landscapes and the myriad ways in which we interact with the world around us.

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We curated this empowering quote with some context and hope you find it insightful, plus we created this unique portrait of George Inness to make it a bit more intriguing. Now get to work on your own!

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.