4x8 Vincent Pro Vintage L21C Canvas 7/8 Inch Deep #VO-0408

True 2:1 Domino Proportion - 4x8 Size

An intriguing Domino size!

The 2:1 aspect ratio, that we call the domino proportion, also offers a unique canvas for artists to play with the perception of space and depth within their compositions. The elongated format allows for the inclusion of foreground, middle ground, and background elements, creating a sense of distance and scale that draws the viewer's eye into the artwork. This aspect ratio has been used by artists throughout history, from ancient Egyptian tomb paintings to Renaissance frescoes to contemporary photography. Its versatility and timelessness make it a classic choice for artists seeking to create dynamic and engaging compositions.

Explore other sizes in this same 2:1 aspect ratio:

6x12 • 8x16 • 10x20 • 12x24 • 15x30 • 18x36 • 24x48 • 30x60 • 5x10 • 7x14 • 9x18 • 14x28 • 16x32 • 22x44

Explore Related Products to this 4x8 Size:

• Oil Primed Linen: Versailles™ • Poitiers™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Acrylic Primed Cotton: Monterey™ • Carmel™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Monet™ Pro 1.5

Vintage™ L21C Oil Primed Artfix Linen

• 100% Belgian Linen 5 oz; Primed Weight 13 oz per square yard
• Medium Weight, Open Weave, Medium Texture
• Double Sized and Primed with acid-free archival quality oil primed ground
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For oils, alkyds, and water miscible oil paints
• Linen has natural oils that prevent disintegration over time

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

Oil paint on an oil primed canvas improves your results

Using an oil prepared canvas for oil painting can produce superior results because the paint and ground are organically similar and create an ideal "chemical bond" where the paint sinks into the ground resulting in a smoother and more even finish. The resulting bond between the paint and canvas is stronger, making the artwork more durable and long-lasting. Additionally, the melding of the two oil-based materials creates an effect called luminosity, where the colors appear to glow from within, and thereby enhances the vibrancy and brightness of the colors, impacting the way light reflects off the colors.

Flash an Oil Prepared Canvas with Mineral Spirits

While it is not required, for best results, lightly wipe or flash the oil prepared canvas with mineral spirits before painting to make sure that your surface is completely clean of any dust or contaminants before painting.

4x8 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 4x8 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Sustainably Managed Forests Inhale and Exhale

The world's forests are essential to human survival. Forests inhale carbon dioxide for the earth, and exhale oxygen essential for life. When we speak of the sustainable forest strategy of ensuring that more timber will exist in the same forest land than exists today, this is the only viable plan for the future of humanity. For this reason, we use only lumber from the sustainable forests of Oregon, Washington, and California, where thereÕs more standing timber today than last century!

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

A canvas is one of the very few products you can buy, and with your precious time, talent, and materials transform it into a work of art that could one day be worth a fortune. Don't skimp on your material choices! Your legacy and your own brand will be judged by how well your artwork stands the test of time.

To know is nothing at all; to imagine is everything. ♦ Anatole France

Anatole France, the French novelist and poet born in 1844, offers profound insight into his creative process with this statement. His life was characterized by a deep appreciation for the arts and a profound understanding of human imagination.

France's literary works often ventured into the realms of fantasy and imagination, reflecting his belief in the power of the mind to transcend mere knowledge. He recognized that as artists, our true creativity thrives not in the confines of what we know, but in the boundless realm of what we can imagine. This wisdom reminds us that our ability to envision, dream, and create is at the heart of our craft, breathing life, depth, and emotion into our work.

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Draw inspiration from the words of wisdom by Anatole France, plus our interpretation of its meaning, along with our own rendered portrait of Anatole France. Now get busy on your own canvas!