4x8 Vincent Pro Carmel Canvas 7/8 Inch Deep #VC-0408

True 2:1 Domino Proportion - 4x8 Size

An intriguing Domino size!

The 2:1 aspect ratio, that we call the domino proportion, also offers a unique canvas for artists to play with the perception of space and depth within their compositions. The elongated format allows for the inclusion of foreground, middle ground, and background elements, creating a sense of distance and scale that draws the viewer's eye into the artwork. This aspect ratio has been used by artists throughout history, from ancient Egyptian tomb paintings to Renaissance frescoes to contemporary photography. Its versatility and timelessness make it a classic choice for artists seeking to create dynamic and engaging compositions.

Explore other sizes in this same 2:1 aspect ratio:

6x12 • 8x16 • 10x20 • 12x24 • 15x30 • 18x36 • 24x48 • 5x10 • 7x14 • 9x18 • 14x28 • 16x32 • 22x44 • 26x52 • 30x60

Explore Related Products to this 4x8 Size:

• Acrylic Primed Cotton: Monterey™ • Tahoe™ • Heavy Weight 14oz cotton • Sierra™
• Acrylic Primed Linen: Muir™ • Vintage L22U™ • Santa Cruz™ • Saint-Cloud™ • Pau™
• Alkyd Oil Primed Linen: Malibu™ • Ventura™
• Oil Primed Linen: Vintage L21C™ • Versailles™ • Poitiers™
• Hardcore Canvas Panel: Carmel™
• Monet™ Pro 1.5

Vegan Ground:

There are no animal products that make-up the sizing and the primer for this fine canvas. Historically, traditional canvas grounds have included egg tempura, pigments with cow urine, and of course, rabbit skin glue. In today's rapidly advancing world, there are many more choices available for artists who prefer non-animal based products that perform far better than their animal-based predecessors.

Carmel™ 7oz Portrait Smooth Cotton

• 100% Cotton 7 oz; Primed Weight 10.3 oz per square yard
• Medium Weight, Medium Weave, Portrait Smooth Texture
• Sized and Double Primed with acid-free archival quality acrylic gesso
• Impenetrable ground prevents oil paint from leaching through and harming the canvas
• For acrylics, oils, alkyds, and water miscible oil paints

Titanium Dioxide (TiO₂) Primer Pigment

Our primer is made with the highest-quality Titanium Dioxide white pigment, which is an excellent pigment for acrylic primed grounds, providing superior whiteness and maintaining excellent flexibility over time. Unlike some other common pigments, such as zinc dioxide, TiO₂ doesn't become brittle as it ages, helping to ensure that your painting will stand the test of time.

4x8 Vincent Pro Strainer Frame

• Drawing depicts the exact frame construction, not the proportion
• Strainer Bars are used when the short side is under 8" inches
• Fixed Corner Frame - Not keyable or expandable
• No cross braces required when the frame length is under 16"
• Frame is very sturdy and provides a solid support for this 4x8 size frame

Vincent™ Pro 7/8" Deep Bar • 5/16" Canvas Clearance

5/16" Canvas Clearance is the space between the Bar and the canvas. Generally speaking, more clearance reduces the risk of the canvas touching the wood and creating unsightly lines during painting. Our design provides the optimal clearance so as not to impact your painting, but still leaving enough wood to the maximize strength of the Stretcher Bar.

• Produces a 7/8" deep stretched canvas
• 1.5" wide Stretcher Bar
• Solid Ponderosa Pine or Fir from the Pacific Northwest

Finger Jointed Wood is not meant for Stretcher Bars

Solid wood makes the most dependable Stretcher Bar, because one homogeneous wood member is going to behave similarly across the entire length of the Bar. Whereas, with finger-jointed wood is made-up of multiple pieces of wood, sometimes on the actual joint itself, presenting multiple points of failure which no one can control.

We only use Solid Wood to build our Stretcher Bars because a solid piece of wood will last indefinitely. When we speak of archival value, it's not just the paint you use and the quality of your canvas and ground, even the wood choices manufacturers add or reduce value to your final painting. The fact is, you don't want problems, and finger joints only increase that risk of the wood falling apart in the future.

The glue used to bind finger joints is a water based adhesive and when that wood is exposed to high humidity environments, particularly with exterior walls, the glue joints can give-up. As a manufacturer, Masterpiece® does its part to conserve as much wood as possible, and still provide a quality product that will out-perform any other in the marketplace.

Sustainability is about Reducing Deforestation

Choosing products made with sustainably sourced lumber is an important way for consumers to make a positive impact on the environment. By supporting sustainable forestry practices, we can help to reduce deforestation, promote biodiversity, and mitigate climate change. It's a simple and effective way to make a difference.

MuseumWrap™ Stretching Technique

With more than a half a century of American engineering, Masterpiece® designs and builds its own proprietary stretching equipment that enables us to produce the finest and most tightly-stretched canvas on the market.

• Drum-tight stretch!
• Up to 50% tighter than other methods
• Balanced tension across the surface
• Uncut folded corners make it possible to remove and re-stretch canvas on the same size frame
• Usually the corner folds are on the long sides

Our passion at Masterpiece® is to deliver the highest quality canvases that can be made. We are widely recognized as the nation's leader and trendsetter of professional quality fine-art canvas. We own several patents that make our products perform superior to any other on the market, but our craftsmanship and consistency is part of what makes-up our brand. Simply touch one of our fine canvases, and you will easily discern our impeccable quality, and so will your clients and the enthusiasts who will eventually acquire your art.

I have always been a pencil. ♦ Henri de Toulouse-Lautrec

In the bustling milieu of the late 19th-century Montmartre, where bohemians and innovators coalesced, Henri de Toulouse-Lautrec distinguished himself not just with his provocative art but also with his profound self-awareness. I have always been a pencil is a deceptively simple assertion, revealing much about Lautrec's perception of himself and his place within the art world. For him, the pencil wasn't just an instrument—it was an extension of his very being.

As we immerse ourselves in our craft, the tools we employ become integral to our expression. They are not just inanimate objects, but vehicles through which our innermost thoughts, feelings, and visions flow. Lautrec's analogy reminds us of the symbiotic relationship between an artist and their medium. In every stroke, shading, or line, there's a piece of us. There's a tool that becomes so innate to our own artistic process that it feels like an extension of our very selves, just as the pencil was for Lautrec. In acknowledging this, we embrace the intimate dance between our souls and the art we produce.

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Creativity is the heart of what we both do. So we've curated this empowering quote and some background. And, in our own act of creation, we provide this unique portrayal we made of Henri de Toulouse-Lautrec.

Tight'n'Up™ Liquid Canvas Retensioner

While all of our Masterpiece® Pro canvases are stretched very tightly and our frames have a built-in method to increase tension, we have another method to add canvas tension. Tight'n'Up™ Liquid Canvas Retensioner (sold separately) can be sprayed on the back of a canvas to repair most canvas tension issues.

With Tight'n'Up™, you can add tension to just a small area, or a large area. Simply spray it lightly on the back and brush it into the canvas, and within seconds, your canvas becomes tighter and stays tighter. The more you use, the tighter it gets.